Maggie Moore - Infinite Women

Born: 10 April 1851, United States
Died: 15 March 1926
Country most active: Australia
Also known as: Mrs. J.C. Williamson, Margaret O’Sullivan

The following is excerpted from The Dictionary of Australian Biography by Percival Searle, published in 1949 by Angus and Robertson and republished by Project Gutenberg.

MOORE, MAGGIE (1851-1926), whose original name was Margaret Virginia Sullivan, actress, was born at San Francisco, U.S.A., in 1851, and began her theatrical career at an early age. She established a local reputation, and having married J. C. Williamson (q.v.) came with him to Australia in 1874. They opened in Melbourne on 1 August in Struck Oil and were immediately successful. Some weeks later they went to Sydney and, after touring Australia, to India. In 1876 Struck Oil was played for 100 nights at the Adelphi theatre, London, and was followed for a similar period by Arrah-na-Pogue, with Williamson as Shaun and his wife as Arrah. Other appearances were made in the provinces, and a successful visit was then paid to the United States. In 1879 they were again in Australia and Miss Moore began playing in Gilbert and Sullivan. Her voice was not large but she knew how to use it, and on occasions she took the parts of Josephine and Buttercup in Pinafore, Mabel and Ruth in the Pirates of Penzance and once, when the actress chosen could not appear, Katisha in the Mikado. In Patience her part was Lady Jane. Possibly her best part in opera was Bettina, in La Mascotte. She was thoroughly adaptable, and after her husband had become a member of the firm of Williamson Garner and Musgrove and had practically given up acting, Miss Moore appeared in sensational drama. In about 1890 she was keeping alive with her vivacity and humour such parts as Biddy Roonan in The Shadows of a Great City, and Meg in Meg the Castaway. She visited her parents in San Francisco about this time and played at a benefit in Nan the Good-for-Nothing. Returning to Australia she was in various revivals of Struck 0i1 with John F. Forde as John Stofel.
About the close of the century Miss Moore obtained a divorce from her husband, and between 1903 and 1908 travelled in the United States and Great Britain. In London she appeared with George Graves, Frank Danby, Billie Burke, and Carrie Moore. Back in Australia she played a starring season between 1908 and 1912, occasionally reviving Struck Oil with H. R. Roberts, whom she had married, as John Stofel. In 1915 she returned to the Royal Comic Opera Company, and for some years played smaller parts with a finish and distinction that was a revelation to the younger generation. In 1918 she played the character of Mrs Karl Pfeiffer in Friendly Enemies, and it has been said of her that “she imbued the character with a dignity and gentle pathos which crowned her long career with fresh laurels”. In 1924 she celebrated the fiftieth anniversary of her first appearance in Australia, and in 1925 retired to California to live with her sister. There she was offered an engagement in Lightnin’ with J. D. O’Hara, but did not accept it. She died at San Francisco after an operation on 15 March 1926. Her second husband predeceased her.
Maggie Moore was one of the best loved actresses that have appeared in Australia. With great personality and charm she had immense versatility. She could sing and play any part in a comic opera; she was a superb step-dancer; she could play the Collen Bawn or Arrah in Arrah-na-Pogue, and if necessary could play the dame in a pantomime. Her Lizzie Stofel in Struck 0i1 was gradually built up from a comparatively small part. She made the part. Always ready to help in any patriotic or charitable cause, she was personally beloved by all her friends, and being a great artist she held her public throughout her long working life.

This biography is republished from The Dictionary of Australasian Biography: Comprising notices of eminent colonists from the inauguration of responsible government down to the present time. [1855-1892] by Phillip Mennell, F.R.G.S., published by Hutchinson & Co., 25 Paternoster Square and 1892. The text was reproduced via Project Gutenberg.

Moore, Maggie (Mrs. J. C. Williamson), whose name is a household word in theatrical Australasia, was born in San Francisco, and, like so many eminent actresses, began her professional career in childhood. After making her name as a local favourite, the young actress married Mr. J. C. Williamson, then, like herself, a member of the company of the California theatre. On August 1st, 1874, Mr. and Mrs. Williamson arrived in Melbourne, and achieved phenomenal success with a play entitled “Struck Oil,” in which the talented pair fairly divided the honours. At a bound they jumped into the positions of established favourites, and have ever since maintained their hold on the playgoing public of Australia and New Zealand. After her husband became one of the partners in the great theatrical “Trio,” both Mr. and Mrs. Williamson continued to act in the leading Australian theatres. Of Maggie Moore herself it needs only to record that she has sustained with unflagging vivacity not only the farcical and eccentric dramatic rôles for which her early training specially fitted her, but by her perseverance, added to native genius, has from time to time appeared in the long series of Gilbert & Sullivan’s comic operas, in which she has both sung the music and acted the chief parts with unvarying success.