Born: 718, Japan
Died: 28 August 770
Country most active: Japan
Also known as: Shōtoku,称徳天皇, Shōtoku-tennō, 孝謙天皇, Kōken-tennō
Empress Kōken also known as Empress Shōtoku, was the 46th (as Empress Kōken) and the 48th monarch of Japan (as Empress Shōtoku). She reigned from 749 to 758, then, following the Fujiwara no Nakamaro Rebellion, she reascended the throne as Empress Shōtoku from 765 until her death in 770.
Kōken/Shōtoku was the sixth of eight women to take on the role of Japan’s empress regnant (See Suiko, Kōgyoku/Saimei, Jitō, Genmei, Genshō, Meishō and Go-Sakuramachi).
This biography, written by Holly Marsden, is shared with permission from Team Queens, an educational history blog run by a collective of historical scholars. All rights reserved; this material may not be republished without the author’s consent.
Born as Princess Abe in 713 AD, Empress Kōken of Japan was the daughter and heir to Emperor Shōmu. In August of 749 her father abdicated, naming Empress Kōken his successor. Kōken was the last Empress of the Nara period (710-794) and one of six female rulers of Japan.
Kōken first reigned from 749-758. After a failed attempted coup in 757, Kōken was later forced to abdicate in 758 in favour of Crown Prince Ooi, known during his reign as Emperor Junnin. She regained power in 764 as Empress Shōtoku.
Kōken fell ill before abdicating. Whilst ill, she met Dōkyō, a Buddhist monk whom she was rumoured to have a romantic relationship with. She justified her re-enthronement in a 764 decree by quoting from the Buddhist sutras, also promoting Dōkyō to the status of Grand Emperor.
Kōken donated a great deal of land and money to Buddhist temples, aiming to both control and strengthen the religion in Japan. She also developed a positive theology of omens, seen as sent down from heaven in support of her reign rather than as symbols of evil.
This theological approach was used to legitimise rule, demonstrated by Kōken’s imperial edicts in which she provided explanations for the omens. Kōken has also been linked to the sponsorship of the Hyakumantō darani Buddhist prayers, rolled inside miniature wooden pagodas.
The chronicle Shoku nihongi from 797 associates Kōken with the large-scale printing and production of the Hyakumantō darani, demonstrating that Kōken used Buddhist ritual politically, and that printing in Japan started earlier than previously thought.
Kōken never married and her death in 770 prompted Dōkyō to vie for the Japanese throne. However, he was unsuccessful. Despite her tumultuous reign, Kōken’s strength as ruler physically stands in the form of the Saidaiji Temple, which she commissioned in 765.
Recommended Reading
Delmer M. Brown and Ichirō Ishida, The Future and the Past: a translation and study of the Gukanshō, an interpretive history of Japan written in 1219 (Berkeley: University of California Press, 1979)
Elena Lepekhova, “Two Asian Empresses and Their Influence on the History and Religion in Tang China and Nara Japan,” Studies in Asian Social Science 4.2 (2017): 20-25
Patricia E. Tsurumi, “Japan’s Early Female Emperors,” Historical Reflections/Réflexions Historiques 8.1 (1981): 41-49.
Peter Kornicki, “Empress Shōtoku as a Sponsor of Printing,” in Tibetan Printing: Comparisons, Continuities and Change eds. Hildegard Diemberger, Franz-Karl Ehrhard, and Peter Kornicki, 45-50 (Leiden: Brill, 2016)
Ross Bender, “Auspicious Omens in the Reign of the Last Empress of Nara Japan, 749-770,” Japanese Journal of Religious Studies 40.1 (2013): 45-76
Ross Bender, “Changing the Calendar Royal Political Theology and the Suppression of the Tachibana Naramaro Conspiracy of 757,” Japanese Journal of Religious Studies 37.2 (2010): 223-245.
The following bio was written by Emma Rosen, author of On This Day She Made History: 366 Days With Women Who Shaped the World and This Day In Human Ingenuity & Discovery: 366 Days of Scientific Milestones with Women in the Spotlight, and has been republished with permission.
Empress Kōken: Shaping Japan’s Legacy
Discover the fascinating journey of Empress Kōken (孝謙天皇 – Kōken-tennō), known as Empress Shōtoku (称徳天皇, Shōtoku-tennō), a trailblazing figure in Japan’s history. From her ascent to the throne at 31, succeeding her father, to wielding political power even after retirement, she left an indelible mark.
During her reign from 749 to 758, Empress Kōken’s governance was influenced by her mother Kōmyō and nephew Nakamaro. A captivating connection with the monk Dōkyō adds an air of mystery.
The shifting tides of power led to her temporary replacement by Emperor Junnin. But fate had more in store. Returning as Empress Shōtoku in 764, she solidified her reign until 770, shaping policies with an unwavering hand. ✨
Dōkyō’s rise within the court as Grand Minister and his audacious attempt at the throne added intrigue to her legacy. Coupled with Empress Kōken’s passing, a clash of ambitions and aristocracy reshaped Japan’s course. ️
Empress Kōken’s story stands as a testament to her exceptional influence in a male-dominated era. Her legacy reverberates through Japan’s history, leaving an imprint that endures.
In the history of Japan, Kōken/Shōtoku was the sixth of eight women to take on the role of empress regnant. The five female monarchs before her were Suiko, Kōgyoku/Saimei, Jitō, Genmei, and Genshō, and the two women sovereigns reigning after Kōken/Shōtoku were Meishō and Go-Sakuramachi.