Born: 7 June 1917, United States
Died: 3 December 2000
Country most active: United States
Also known as: NA
The following is republished from the Library of Congress and was written by Chandel Boozer, spring 2021 law clerk in the Office of Policy and International Affairs. This piece falls under under public domain, as copyright does not apply to “any work of the U.S. Government” where “a work prepared by an officer or employee of the U.S. Government as part of that person’s official duties” (See, 17 U.S.C. §§ 101, 105).
In the United States, authors can share their unique perspectives based on their varying life experiences, ethnicities, and beliefs. Amongst those authors, poets have the ability to succinctly capture an emotion or experience with their words. An exceptional and influential poet enables their readers to see those varying life experiences and perspectives, and compels their readers to think critically.
Gwendolyn Brooks was an exceptional and influential poet, whose talent was to engulf her readers in her world. Her life experiences growing up as a Black woman in Chicago influenced her poetry. Brooks published Annie Allen in 1949, which focused on an African American girl nearing adulthood in Chicago and touched upon social issues within that experience. In May 1950, Annie Allen would win the Pulitzer Prize for poetry, making Brooks the first African American to win a Pulitzer Prize. Brooks described her poetry style as “folksy narrative.” Her ability to use language lyrically to reflect her culture and heritage while immersing her readers in a story she was telling made her a distinctive and renowned writer.
Throughout her career, Brooks registered a multitude of works with the Copyright Office. In 1949, she registered Annie Allen and A Street in Bronzeville, her first book of poetry. Her only novel, Maud Martha, was registered with the Office in 1953.[6] During the civil rights era, Brooks registered poems titled “Medgar Evers” in 1964 and “Malcolm X” in 1967, viewing both men as Black heroes.[7] She also wrote and registered poems about other poets that she admired. She registered “Langston Hughes” in 1967 and “Henry Rago” in 1969.[8] Brooks met Hughes and Rago when she was a young writer and grew to have friendships with both men.[9] In addition to registering her works with the Copyright Office, in 1985, Brooks became the first Black woman to be appointed as the Consultant in Poetry to the Library of Congress, and the Library of Congress holds many of her works.
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Read more (Poetry Foundation)