Tina Tchen

As women around the world speak out against sexual harassment and unfair treatment, Tina Tchen continues to support the movement through her legal activism.

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Pussy Riot

Even more than the individual artists that may have been influenced by their aesthetic or political intentions, the most enduring legacy of Pussy Riot has been the new global interest in Russian activist art, as well as in the political situation within the county.

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Audrey Flack

Though it does her aesthetic reach a considerable disservice, Flack is best known for her contribution to the Photorealist movement of the 1970s.

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Ella Fitzgerald

Ella Fitzgerald, known as “The First Lady of Song,” was a revolutionary American jazz singer who performed all over the world. Her signature style included her iconic vocal range, clear tone and ability to improvise with her hallmark scat singing. Her many awards and accolades are a reflection of the colossal inspiration she was to many.

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Brownie Wise

Brownie Wise was a self-made woman who revolutionized marketing tactics and had a knack for motivating others. She introduced the now popular household item, Tupperware, to the market. A pioneering businesswoman when there were not many women in business, her career serves as an inspiration for generations of women.

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Nina Simone

“The High Priestess of Soul,” Nina Simone was a singer, pianist, songwriter, and civil rights activist. Mostly known as a jazz singer, her music blended gospel, blues, folk, pop, and classical styles. No popular singer was more closely associated with the Civil Rights Movement than Simone.

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Elisabeth Vigeé-Le Brun

Elisabeth Vigée Le Brun’s talent and importance was largely dismissed in the decades following the artist’s death, a common fate of many significant women artists. Despite her vast oeuvre, including commissions by the most powerful ruling families throughout Europe, her legacy was largely ignored until the late-20th century.

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Artemisia Gentileschi

Artemisia Gentileschi’s legacy has been controversial and complex. Although well-respected and well-known during her lifetime, after her death she was almost entirely omitted from art historical accounts of the period. This is partly because her style was often similar to that of her father and many of her works were mis-attributed to Orazio.

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Florence Price

Her music combines a rich and romantic symphonic idiom with the melodic intimacy and emotional intensity of African-American spirituals. As Alex Ross wrote in The New Yorker, her music “deserves to be widely heard.”

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