Aïssata Kane

Mauritian political Aïssata Touré Kane served as the country’s first female government minister as part of President Moktar Ould Daddah’s cabinet from 1975 to 1978, when the government was overthrown by a military coup.

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Fatima al-Fihri

Also known as Umm al-Banayn, Fatima bint Muhammad Al-Fihriyya is credited with founding the al-Qarawiyyin mosque in 859 AD in Fez, Morocco. The mosque later developed a teaching institution, which became the University of al-Qarawiyyin in 1963.

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Ismat ad-Din Khatun

ʿIṣmat ad-Dīn Khātūn was the daughter of a regent of Damascus, and wife of two of the 12th century’s greatest Muslim generals, Nur ad-Din and Saladin.

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Aziza Abdel-Halim

The founder and president of the Muslim Women’s National Network, she has become a leading spokesperson for her community, and in 2004 served on Prime Minister Howard’s Muslim Community Reference Group.

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Rasuna Said

Hajjah Rangkayo Rasuna Said was a major figure in Indonesia’s struggle for independence against the country’s Dutch colonisers.
Said was politically active from a very young age, and founded a political party – the Indonesian Muslim Association (PERMI) – in her early 20s.
An electrifying speaker who delivered speeches “like lightning during the day” according to one biography, her challenge to Dutch colonial authorities earned her the nickname Lioness. The Dutch often halted her speeches, and even imprisoned her in 1932 for 14 months.
When the Japanese invaded Indonesia during World War II in 1942, Said joined a pro-Japanese organisation, but used it to continue her independence activities.
After the Japanese were defeated, the Dutch returned to try to reimpose their control, initially with British help, and a brutal four-year conflict began, until the Dutch finally recognised Indonesian sovereignty in 1949.
Said was declared a National Hero of Indonesia by president Suharto in 1974. One of Jakarta’s main arteries is named for her (Jalan H.R. Rasuna Said) and Padang, West Sumatra.

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Sophia Al Maria

Sophia Al Maria is a Qatari-American artist, writer, and filmmaker whose work has been exhibited at the Gwangju Biennale, the New Museum in New York, and the Architectural Association School of Architecture in London. She coined the term Gulf Futurism to explain a phenomenon she has observed in architecture, urban planning, art, aesthetics and popular culture in the post-oil Persian Gulf. “The Arabian Gulf is a region that has been hyper-driven into a present made up of interior wastelands, municipal master plans and environmental collapse, thus making it a projection of a global future.” Her interest in these areas arises from her youth growing up in the Persian Gulf area during the 1980s and 1990s, which she describes in her 2012 memoir The Girl Who Fell To Earth. The themes and ideas of Gulf Futurism include the isolation of individuals via technology, wealth and reactionary Islam, the corrosive elements of consumerism on the soul and industry on the earth, the replacement of history with glorified heritage fantasy in the collective memory and in many cases, the erasure of existing physical surroundings. Gulf Futurism utilises imagery from Islamic eschatology, corporate ideology, posthumanism and the global mythos of Science Fiction.
After her studies at Goldsmiths, University of London, Al Maria returned to the Gulf, where she worked towards opening the contemporary and modern art museum, Mathaf, alongside curators Wassan Al-Khudhairi and Deena Chalabi. The museum opened in Doha in 2010. Al Maria calls the experience a formative one, where she was ‘tasked with meeting and interviewing artists like Hassan Sharif or Zineb Sedira—that was my real art education. Having that proximity was, in a weird way, how I got into artmaking.’

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