Tag Archives: Latina

Luchita Hurtado

Although she was involved with art throughout her life, painter Luchita Hurtado only received recognition near the end of her life. Named one of Time magazine’s 100 Most Influential People of 2019, she landed her first solo show in a public gallery at age 98. Hurtado worked in different styles that drew elements from 20th-century avantgarde and modernist art movements including Surrealism, abstraction, and Magical Realism. Among her best-known works is the 1960s ‘I Am’ series: self-portraits that Hurtado painted by looking down at her own body, often in closets as it was this only place she could work in between raising her sons and managing the home. Later works demonstrate her environmental concerns, with recurring motifs that include humans merging with trees and texts such as ‘Water Air Earth’ and ‘We Are Just a Species’.

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Teresa Villarreal

Teresa Villarreal González was a feminist, labor organizer, and political activist who supported the Partido Liberal Mexicano (PLM) and the Mexican Revolution (1910–17). She and her sister Andrea published the feminist newspaper La Mujer Moderna (The Modern Woman) in 1910. That year, Teresa also established El Obrero: Periódico Independiente (The Worker: Liberal Newspaper) in San Antonio, Texas, and published articles that addressed issues of the working class and called for mass involvement in Mexican Revolution’s struggle for a democratic government. Along with economic, educational, and cultural improvements for the masses, she advocated for the emancipation of women.

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Gertrudis Barceló

Maria Gertrudis “Tules” Barceló was a saloon owner and master gambler in Santa Fe in the Territory of New Mexico in the 1830s-1850s. She reolcated sometime after Mexican authorities fined her for operating a gambling salon for miners in the Ortiz Mountains. Barceló amassed a small fortune by capitalizing on the flow of American and Mexican traders involved with the commercial highway of the Santa Fe Trail. She became infamous in the U.S. as the Mexican “Queen of Sin” through a series of American travel writings and newspaper serials before, during, and after the Mexican-American War. These depictions, often intended to explain or justify the U.S. invasion of Mexico, presented La Tules as a madame and prostitute who symbolized the supposedly immoral nature of the local Mexican population. In addition to false assertions that she was a prostitute, many also claimed that she was having an illicit affair with New Mexico Governor Manuel Armijo. The sensational accounts were typicallyembellished, if not completely fabricated. Most of the American descriptions of Tules Barceló contradicted each other wildly in terms of her appearance and background. The only common agreement among them was that Barceló excelled at the card game monte, often winning vast piles of gold from the male customers in her saloon. Barceló died on January 17, 1852 in Santa Fe with a remarkable fortune of $10,000 and several houses.

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