By breaking down the barriers between art and life, Clark challenged received ideas about what art could or should be. Accordingly, she is a major reference point for contemporary artists dealing with the limits of conventional forms of art.
As an individualist who was disengaged from any official artistic movement, Kahlo’s artwork has been associated with Primitivism, Indigenism, Magic Realism, and Surrealism. Posthumously, Kahlo’s artwork has grown profoundly influential for feminist studies and postcolonial debates, while Kahlo has become an international cultural icon.
Izquierdo’s work opened up new possibilities for using symbols tied to Mexican traditions in a way other than to serve the nationalist discourse in art at the time. Izquierdo believed in art for art’s sake and wanted to go beyond the bounds of political art then. While the concept of art for art’s sake traced back to nineteenth-century European avant-gardes, in her context of post-revolutionary Mexico, this direction in art especially bucked the trend of using art as a propagandistic tool. Instead, art’s meaning, for Izquierdo, could be personal and variegated, not following the lines set by the politically powerful art establishment then.
Lorna Simpson’s interrogation of race and gender issues with a minimal, sophisticated interplay between art and language has made her a much respected and influential figure within the realms of visual culture.
Claribel Alegría was a poet, essayist, novelist, and journalist who was a major literary voice in 20th century Central America. She won the 2006 Neustadt International Prize for Literature, among other awards.
Policarpa Salavarrieta was a Neogranadine seamstress who spied for the Revolutionary Forces during the Spanish Reconquista of the Viceroyalty of New Granada (modern-day Colombia, Ecuador, Panama and Venezuela). Considered a heroine of Colombian independence, she was captured by Spanish Royalists and executed for high treason. The anniversary of her death is commemorated with the Day of the Colombian Woman.
Dominican poet Salomé Ureña was an early advocate for women’s higher education in the Dominican Republic.
For a long time, Mendieta’s highly publicized death eclipsed any attention being paid to her intensely important body of work. A recent surge of interest in her jolting performances, however, has turned a focus onto her work as being an important member of the displaced and abused women canon. Mendieta has inspired a book about her death written by Robert Katz, a feminist protest outside of the Dia Art Foundation’s retrospective of Carl Andre replete with chicken blood and guts, and many of her own postmortem retrospectives. She has also influenced numerous modern artists, such as Ana Teresa Fernández, Kate Gilmore, Simone Leigh, Gina Osterloh, Antonia Wright, Nancy Spero and Tania Bruguera.
Herrera’s legacy also lies in the example of her late-blooming career. Like other women artists such as Louise Bourgeois, her life has been dedicated to art, but she did not find an audience for her work until she was very old. Her legacy, then, is not just about her painting but about her tenacious creative perseverance in the face of an indifferent, oar biased, world.
A dedicated public health advocate, Antonia Novello made history as the first female and first Hispanic U.S. Surgeon General in 1990. Novello has led several major public health campaigns in her efforts to improve health conditions and access to medical care, especially for women, children, and minority populations.