Lady Eveningstar
Lady Ik’skull or Lady Eveningstar was the second queen consort of the Mayan king Itzamnaaj B’alam II. She may have been regent for their son, ruling in his name for a decade.
Tag Archives: Latina > Mexico
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Leona Vicario
Heroine of Mexican Independence
Ángela Peralta
Mexican opera singer
La Malinche
Translator for Hernan Cortes
Juana Inés de la Cruz
Mexican writer and poet
Doña Josefa Ortiz de Domínguez
A member of the Mexican elite who fought for independence.
Sandra Cisneros
Sandra Cisneros has won multiple awards, fellowships, and honors as an internationally recognized writer. On September 22, 2016, President Barack Obama presented Cisneros with the National Medal of Arts for her work. Her book called The House on Mango Street, has sold over six million copies and has been translated into over twenty languages.
Antonia Hernández
According to Antonia Hernández, she “went to law school for one reason: to use the law as a vehicle for social change.” Decades later, she can claim numerous legal victories for the Latinx community in the areas of voting rights, employment, education, and immigration. From legal aid work, to counsel to the Senate Judiciary Committee, to head of a major civil rights organization, Hernández has used the law to realize social change at every turn.
Frida Kahlo
As an individualist who was disengaged from any official artistic movement, Kahlo’s artwork has been associated with Primitivism, Indigenism, Magic Realism, and Surrealism. Posthumously, Kahlo’s artwork has grown profoundly influential for feminist studies and postcolonial debates, while Kahlo has become an international cultural icon.
María Izquierdo
Izquierdo’s work opened up new possibilities for using symbols tied to Mexican traditions in a way other than to serve the nationalist discourse in art at the time. Izquierdo believed in art for art’s sake and wanted to go beyond the bounds of political art then. While the concept of art for art’s sake traced back to nineteenth-century European avant-gardes, in her context of post-revolutionary Mexico, this direction in art especially bucked the trend of using art as a propagandistic tool. Instead, art’s meaning, for Izquierdo, could be personal and variegated, not following the lines set by the politically powerful art establishment then.