Doreen Kartinyeri
Doreen Kartinyeri was a Ngarrindjeri elder and historian, best known for her role in the controversial Hindmarsh Island bridge affair in the 1990s.
Doreen Kartinyeri was a Ngarrindjeri elder and historian, best known for her role in the controversial Hindmarsh Island bridge affair in the 1990s.
Ruby Langford Ginibi, of the Bunjalung people of the Northern Rivers Region of New South Wales, was an outstanding activist for Aboriginal rights through her writing and speaking.
Faith Bandler was a leading campaigner for Aboriginal rights from the 1950s through the 1980s.
Emily Kame Kngwarreye was a leading Indigenous Australian artist.
Joy Harjo, the 23rd Poet Laureate of the United States, is a member of the Mvskoke Nation and belongs to Oce Vpofv (Hickory Ground). As a poet, activist, and musician, Joy Harjo’s work has won countless awards. In 2019, Harjo became the first Native American United States Poet Laureate in history and is only the second poet to be appointed for three terms.
Marcia Langton is a leading academic and Indigenous spokesperson who has held the foundation chair of Australian Indigenous Studies at the University of Melbourne since February 2000.
Aileen Moreton-Robinson is a Goenpul woman from Minjerribah (Stradbroke Island), Quandamooka First Nation (Moreton Bay) in Queensland, and Professor of Indigenous Studies at Queensland University of Technology (QUT).
Lani Ka’ahumanu, a leader of the bisexual rights movement in the U.S., has worked for greater visibility for bisexuals both within the LGBTQ movement as well as broader society. An author, community organizer, and health advocate, she has been a driving force behind the fight against biphobia since 1980.
Georgia Lee was a jazz and blues singer of international renown who, in the 1950s was called ‘Melbourne’s Number One Female Singer’. Of Torres Strait Islander and Cloncurry Aboriginal descent, she was the first Indigenous artist to record a full album, and the first Australian to record one in stereo.
With the establishment of the Māori Women’s Welfare League in 1951, Rangimārie joined as a founding member. She began teaching traditional Māori weaving to women within the community as well as in schools. She wanted to retain the traditional art form, which at that time was in jeopardy, and the league proved an ideal platform for its revival.