With the establishment of the Māori Women’s Welfare League in 1951, Rangimārie joined as a founding member. She began teaching traditional Māori weaving to women within the community as well as in schools. She wanted to retain the traditional art form, which at that time was in jeopardy, and the league proved an ideal platform for its revival.
From the late 1890s Niniwa-i-te-rangi carved out a unique position for herself. She was considered a leader of Māori affairs and was the only woman whose views were sought when the Native Affairs Committee inquired into the Native Lands Settlement and Administration Bill of 1898. She regularly spoke on the marae in a district in which this was not a common practice. She became known around the country, beginning in the days when Tamahau sent her out as Pāpāwai’s ambassador to solicit attendance at the Māori parliaments. Her knowledge of whakapapa and tradition was extensive and contributed to the work of the Tāne-nui-a-rangi committee.
Ngāi Tahu; founding mother, community worker
New Zealand politician Iriaka Rātana was to serve in the House for 20 years. She was an unusual politician in her early years, unsophisticated yet eloquent, gentle and invariably polite.
Kate Wyllie is remembered as a woman who sought to defend her rights and those of her people.
Te Arawa woman of mana, teacher, warrior, interpreter
Saar was a key player in the post-war American legacy of assemblage. Her attitude toward identity, assemblage art, and a visual language for Black art can be seen in the work of contemporary African-American artist Radcliffe Bailey, and Post-Black artist Rashid Johnson.
Mereana Tōpia, better known as Maria, and her daughter Hēni Hoana or Jane Tōpia, were outstanding leaders in their local communities. Among their many activities they fostered the practice of traditional Māori arts and crafts.
Mereana Tōpia, better known as Maria, and her daughter Hēni Hoana or Jane Tōpia, were outstanding leaders in their local communities. Among their many activities they fostered the practice of traditional Māori arts and crafts.
Hēni Materoa Carroll had achieved remarkable recognition for her advancement of Gisborne and of its people. Her quiet influence had transcended racial divisions and her mana was acknowledged by Māori and Pākehā alike.