Hine-i-paketia was a leader of Heretaunga (Hawke’s Bay), and of the district extending south to the Manawatū Gorge, during the nineteenth century. She was publicly consulted by influential chiefs. She did not hesitate to speak at meetings and her name headed petitions to the governor.
Whetū Tirikātene-Sullivan was New Zealand’s first Māori woman cabinet minister, its longest-serving woman MP, and a staunch advocate in Parliament for Māori interests. An accomplished academic, social worker, designer, sportswoman and dancer, she paved the way for women to combine a political career with motherhood.
Kura Ensor was an Auckland-based Māori fashion entrepreneur who was part of a renaissance in Māori-influenced design during the 1970s. She ran a successful nationwide fashion business, selling garments which often incorporated Māori names, motifs and patterns. She was a role model for Māori women in business and was dedicated to serving her community.
She rose through the ranks of the Central Australian Aboriginal Congress to become its Deputy Director. In addition she has held executive positions on the Aboriginal Legal Aid Service, Tangentyere Council and the Joint Aboriginal Management Information Services. She was involved with the development of the Central Australian Aboriginal Media Association.
In 1987 she helped establish the Taranaki Activity Centre, an alternative education institution for teenagers failing in the state education system. She also served on the local Regional Employment and Access Council (REAC), the supervising committee for the ACCESS and MACCESS work schemes.
Appalled at the poor state of Māori culture and language in Taranaki, she formed the Te Reo o Taranaki organisation to promote and foster Māoritanga. As Māori adviser to the Taranaki Polytechnic, she successfully agitated for the establishment of a Māori studies department and found highly skilled tutors for the staff. Through such initiatives Hond assisted a Māoritanga renaissance in Taranaki, especially among the young.
Tuaiwa Rickard, known in her public life as Eva Rickard, was an influential figure in the Māori land rights movement from the 1970s to the 1990s. She showed courage and determination in negotiating the return of Te Kōpua to her people, and fought for increased Māori representation in Parliament and a variety of other indigenous rights causes both in New Zealand and overseas. She also acted in films and ran several businesses and community groups.
Wharetutu Stirling became involved in conservation issues, particularly through the New Zealand Historic Places Trust, and campaigned successfully for the protection of historic areas and the restitution of traditional place names in Marlborough and Northern Canterbury. In the 1980s she served on the North Canterbury National Parks and Reserves Board. She also became deeply involved in the restoration of traditional arts within Ngāi Tahu, a task in which she and her husband became closely associated with the noted Māori artist Cliff Whiting and weaver Te Aue Davis.
Te Arikinui, Dame Te Atairangikaahu was the first woman chosen to lead the Kīngitanga (the Māori king movement). She served as Māori queen for over 40 years, the longest reign of any Māori monarch.
The most eminent and successful Māori nurse of her day
Fostered Māori pre-school education by setting up playcentres and reviving other community organisations in rural centres. The playcentres in the Waikato–Maniapoto district were among the first to encourage use of the Māori language, foreshadowing the kohanga reo scheme.