Saar was a key player in the post-war American legacy of assemblage. Her attitude toward identity, assemblage art, and a visual language for Black art can be seen in the work of contemporary African-American artist Radcliffe Bailey, and Post-Black artist Rashid Johnson.
Izquierdo’s work opened up new possibilities for using symbols tied to Mexican traditions in a way other than to serve the nationalist discourse in art at the time. Izquierdo believed in art for art’s sake and wanted to go beyond the bounds of political art then. While the concept of art for art’s sake traced back to nineteenth-century European avant-gardes, in her context of post-revolutionary Mexico, this direction in art especially bucked the trend of using art as a propagandistic tool. Instead, art’s meaning, for Izquierdo, could be personal and variegated, not following the lines set by the politically powerful art establishment then.
Canadian Rebecca Belmore has contributed to the international contemporary art world by developing a performance vocabulary for the representation of a (distinctly female) First Nations identity in art.
Anacaona was a Taíno cacica, (female cacique or chief), religious expert, poet and composer of Xaraguá, in what is now Haiti.
Among the most famous women in early American history, Pocahontas is credited with having helped the struggling English settlers in Virginia survive in the early 1600s. The explorer John Smith—who claimed Pocahontas saved his life—hailed her as “the instrument to pursurve this colonie from death, famine, and utter confusion.”
Sacagawea was an interpreter and guide for Meriwether Lewis and William Clark’s expedition westward from the Mississippi River to the Pacific Coast. Though spelled numerous ways in the journals of expedition members, Sacagawea is generally believed to be a Hidatsa name (Sacaga means “bird” and wea means “woman”). In that case, the third syllable starts with a hard g, as there is no soft g in the Hidatsa language. However, many Shoshone Indians maintain that it is a Shoshone name meaning “boat launcher” and spell and pronounce it “Sacajawea.”
As the daughter of an English trader and a Native American woman, Mary Musgrove was able to understand many cultures. Her mixed heritage and language skills allowed her to become a negotiator between English and Native American communities. She is most commonly known for playing an important role in the development of Colonial Georgia. She is also known for her business knowledge as a trader and interpreter.
Standing before the Supreme Court, Eliza “Lyda” Burton Conley argued to protect her ancestral burial ground. Considered the Guardian of Heron Indian Cemetery, her appearance made her the third woman, and the first Native American, to argue a case in front of the Supreme Court. For her, this case was personal.
Eliza Burton Conley was born sometime between 1868 and 1869 to Eliza Burton Zane Conley, a member of the Wyandotte tribe and descendant of a chief, and Andrew Conley, an English farmer in Kansas. Conley was one of four sisters. The Wyandotte were sometimes controversially called “Huron,” hence the name of the cemetery. A very active and independent young woman, she and one of her sisters would row across the river every day to attend school at Park College. During her lifetime, she became a lawyer, was admitted to the Missouri Bar, trained as a telegraphic operator, taught at Spalding Business College in Kansas City, and taught Sunday School at her Methodist Episcopal Church. She did all of this before women had the right to vote in the United States.
Charlotte Edith Anderson Monture traveled far and wide to become a registered nurse. Her determination paid off, and she was the first Native Canadian registered nurse. It was illegal for Native Canadians to get a diploma after elementary school, so Monture had to move to the United States for nursing training. Monture found a way to receive an education and served as an Army nurse during the first World War. She is also reported to be the first Native Canadian woman to receive the right to vote in a Canadian federal election.
Edmonia Lewis is considered the first professional BIPOC sculptor in the United States and the first to achieve international acclaim. Even though much of her work has not survived into the 21st century, Lewis used her art to depict the stories of women and Indigenous people with reverence and beauty. Shattering gender and racial expectations in the 19th-century U.S., her life story is a testament to the ability to succeed despite adversity.