African Descent Archives - Page 49 of 51

Dandara dos Palmares

Dandara was an Afro-Brazilian warrior during Brazil’s colonial period.

Kitty Phetla is a South African ballet dancer and choreographer who began dancing in primary school. Her future mentor Martin Schönberg saw her talent at age 9 and coached her until she was 25, training her in ballet, Spanish dancing, contemporary dance, and Afro-fusion. She joined Schönberg’s Ballet Theatre Afrikan, dancing with the company until 2002 when she left to join the Joburg Ballet, where she became a senior soloist and choreographer. She toured Russia in 2012 with Anna Pavlova’s famous solo The Dying Swan, becoming the first ballerina of African descent to perform the role in Russia. Traditionally performed in a pink tutu and tights, Phetla made the piece her own performing in a black tutu and stockings. She presented her iconic performance of this solo to Nelson Mandela and the Dutch Royal Family in Amsterdam. Phetla choreographed a full-length ballet to the music of Carmina Burana, which she presented in 2016 in China, with dancers from Joburg Ballet and the Liaoning Ballet of China, for an audience of dignitaries tht included China’s president. She also choreographed The After Effect, exploring schizophrenia, for South Africa’s Dance Umbrella festival.
She has also been a radio presenter, for five years on Alex FM, followed by six years of hosting her own show on Radio 2000.

Yennenga

A legendary figure in West Africa, Yennenga has come to symbolise the epitome of the female warrior, a free and independent woman.

Abbey Lincoln

Jazz singer, songwriter, actress, and civil rights activist Anna Marie Wooldridge, known professionally as Abbey Lincoln, made a career of performing both beloved standards and her own original material. Her lyrics often referenced aspects of the American Civil Rights Movement and, later in her career, more philosophical themes.
Her 1957 debut album, Abbey Lincoln’s Affair – A Story of a Girl in Love, was followed by a trio of albums for Riverside Records (1957-1959). In 1960 she sang on the landmark civil rights-focused recording, We Insist! After a tour of Africa in the mid-1970s, she adopted the name Aminata Moseka.
Although she only released a few records during the 1980s, she fulfilled a 10-album contract with Verve Records from the 1990s until her death in 2010, releasing some of her most highly regarded work in her 60s and 70s. In 2003, Lincoln received a National Endowment for the Arts Jazz Master Award.
She was also an actor who appeared in television shows and movies such as The Girl Can’t Help It and Gentleman Prefer Blondes. She co-starred in the independent film Nothing But a Man (1964), an independent film written and directed by Michael Roemer. She recieved a Golden Globe nomination for her her co-starring role in For Love of Ivy (1968). Her television work included appearing in Alice Childress’s Wine in the Wilderness, one of 10 episodes of individual dramas written, produced and performed by African-Americans, “On Being Black” produced in 1969 for WGBH-TV Boston.

Abbie Mitchell

Abbie Mitchell was an African-American soprano opera singer who performed the role of Clara in the original production of George Gershwin’s Porgy and Bess in 1935, and was also the first to record “Summertime” from that musical. At age 14, she was cast by African-American composer Will Marion Cook and lyricist Paul Laurence Dunbar for a role in their one-act musical comedy Clorindy: The Origin of the Cakewalk (1898), which ran for the whole season at the Casino Roof Garden. The 14-year-old married the 29-year-old Cook in 1898 and bore him two children before her 20th birthday. Mitchell appeared in the lead role in Cook’s Jes Lak White Folks (1899) and performed in his production The Southerners (1904).
In London Mitchell appeared in the 1903 musical In Dahomey (with music by Cook). Mitchell received international acclaim for her performance, and was invited to appear with the company in a Royal Command Performance for King Edward VII and Queen Alexandra at Buckingham Palace.
She later performed with the “Black Patti’s Troubadours”, and in the 1908 operetta The Red Moon. In 1913, she appeared in the film Lime Kiln Field Day, but it was never completed or released. In 1919, Mitchell went to Europe with Cook’s Southern Syncopated Orchestra, as well as appearing in concert and in operas in New York.
Mitchell appeared in several Broadway plays including “In Abraham’s Bosom” (1926), “Coquette” (1927) with Helen Hayes, and “The Little Foxes” (1939) with Tallulah Bankhead. Mitchell was best known for her last musical role on the stage, performing in the role of “Clara” in the premiere of Porgy and Bess (1935). After this, she taught and coached many singers in New York and appeared in non-musical dramatic roles on the stage, and taught at the Tuskegee Institute in Alabama.
Lee De Forest made a short film of Mitchell singing, Songs of Yesteryear (1922), using his DeForest Phonofilm sound-on-film process; the film is preserved in the Library of Congress’s Maurice Zouary film collection.

Touria Chaoui

Touria Chaoui was Morocco’s first female pilot. When she was 14, her father enrolled her in the only available flying school, in Tit Mellil – the resistance was swift and significant. The school was reserved for the French forces occupying Morocco, making it inhospitable for any native Moroccan, particularly women. Although the school tried to refuse her entry, there was no legal grounds for them to do so. The school adminisrators reluctantly accepted her, hoping she would drop out. Instead, she obtained her pilots licence on 17 October 1951, at the age of 15. She became the first Moroccan and Maghrebi female pilot. Her career was short-lived, as she was murdered on March 1, 1956, at the age of 19, by Ahmed Touil, the leader of a secret organisation who assassinated several Moroccan political personalities.

Sadie Tanner Mossell Alexander

Sadie Tanner Mossell Alexander was the first African-American to receive a doctorate in economics in the United States (1921), and the first woman to receive a law degree from the University of Pennsylvania Law School.

Zelia N. Breaux

Zelia N. Breaux was an American music teacher and musician who played the trumpet, violin and piano. She organized the first music department at Oklahoma’s Langston University, as well as the school’s first orchestra. As the Supervisor of Music for segregated African-American schools in Oklahoma City, Breaux organized bands, choral groups and orchestras, establishing a music teacher in each of the district’s schools. She had a significant influence on many musicians including Charlie Christian and Jimmy Rushing, as well as novelist Ralph Ellison. Breaux was the first woman president of the Oklahoma Association of Negro Teachers and was posthumously inducted into the Oklahoma YWCA Hall of Fame, Oklahoma Women’s Hall of Fame and the Oklahoma Bandmasters Association Hall of Fame.

Lula Parrish

Lula Parrish risked her job and her life by marching for civil rights with more than 100 other African-American teachers in the Selma Teachers March on January 22 1965. Her daughter Joyce O’Neal, described her mother’s bravery and her own fear when her mother left for the march: “She hugged us and didn’t say much. But she was thinking ‘will I have a job when I get back?’ and “will I get back?’” Her other daughter, Phyllis Parrish Alston, published a book about Lula, Lessons From The Front Porch Swing. Both of her daughters also participated, marching with the students.

Adah Thoms

Adah Belle Samuels Thoms was an African-American nurse who co-founded the National Association of Colored Graduate Nurses and served as president from 1916 to1923. She was the acting director of the Lincoln School for Nurses (New York) and fought for African-Americans to serve as American Red Cross nurses during World War I and later as U.S. Army Nurse Corps nurses starting with the flu epidemic in December 1918. She was one of the first nurses inducted into the American Nurses Association Hall of Fame when it was established in 1976.