Anna Sewell was an English novelist who wrote the 1877 novel Black Beauty, her only published work, which is now considered one of the top ten best selling novels for children, although it was originally intended for an adult audience. She died just five months after Black Beauty’s publication, having lived long enough to see her only novel become a success.
Sophia Frances Anne Caulfeild was a British writer and needleworker who wrote about religion and needlework, and frequently worked with Blanche Catherine Saward.
In 1882 she and Blanche Saward had their Dictionary of Needlework published. The work was available in six volumes and its full title was The dictionary of needlework : an encyclopaedia of artistic, plain, and fancy needlework dealing fully with the details of all the stitches employed, the method of working, the materials used, the meaning of technical terms, and, where necessary, tracing the origin and history of the various works described. Their encyclopedia attempted to describe all aspects of needlework, with 800 woodcut illustrations and more than 528 pages of alphabetical entries. The section on embroidery alone was 24 pages long. This work was aimed at the fashion for needlework and it competed with Thérèse de Dillmont’s Complete Encyclopedia of Needlework published in 1884 and Weldon’s Practical Needlework which was published in monthly parts from 1886.
Caulfeild also had a book of poetry published in 1870, and in 1887 published The Lives of the Apostles, their contemporaries and successors.
Sheema Kalbasi is an Iranian American poet, writer, filmmaker and activist for women’s rights, minorities’ rights, children’s rights, human rights and refugees’ rights. Her work discusses these topics as well as other women’s issues, war, refugees, Sharia Law and freedom of expression. In additon to her artistic work, Sheema taught refugee children and worked for the UNHCR and the Center for Refugees in Pakistan, and UNA Denmark. Her poems have been anthologized and translated into more than 20 languages.
Although Élisabeth-Sophie Chéron is best remembered today as a painter, she was actually a true Renaissance woman, acclaimed during her lifetime as a talented poet, musician, artist, and academicienne. In her childhood, she was trained by her father in the arts of enamelling and miniature painting. Under the sponsorship of the prominent artist Charles Le Brun, she was admitted to the Académie Royale of Paris as a portrait painter in 1672. She exhibited regularly at the Salon in Paris, while also producing poetry and translations; she was fluent in Hebrew, Greek and Latin. Chéron’s literary talent was recognized in 1694 when she was named a member of Italy’s Accademia dei Ricovrati in Padua, and given the academician name of Erato, after the muse of lyric and love poetry.
Ofelia Domínguez Navarro was a Cuban writer, teacher, lawyer, feminist and activist who fought for the rights of women and illegitimate children.
Perhaps best known as the the long-time lesbian partner of Marguerite Radclyffe Hall, author of The Well of Loneliness, sculptor and translator Una Troubridge was an educated woman with achievements in her own right. She was a successful translator and the first to translate the works of French writer Colette for English readers. Her talent as a sculptor led the renowned ballet dancer and choreographer Vaslav Nijinsky to sit for her several times. She and Radclyffe Hall were also known for being interested in spiritualism, and hosting seances.
Ann Hui On-wah, BBS MBE is a Hong Kong film director, producer, screenwriter and actress and one of the Hong Kong New Wave’s most critically acclaimed filmmakers. She is best known for her films about Hong Kong social issues in Hong Kong, with films ranging from literary adaptation, martial arts masterpieces and thrillers to topics of semi-autobiographical works, female issues, social phenomena, and political changes. She served as president of the Hong Kong Film Director’s Guild from 2004 to 2006.
Hui has won many awards for her films, including three Golden Horse Awards (GHA) for Best Director (1999, 2011, 2014); Best Film at the Asia Pacific Film Festival; and Best Director at the Hong Kong Film Awards six times (1983, 1996, 2009, 2012, 2015, 2018).
Only two films have ever earned a Grand Slam (winning best picture, best director, best screenplay, best actor, and best actress) at the Hong Kong Film Awards: Summer Snow and A Simple Life, both of which were directed by Ann Hui. She was honored for her lifetime accomplishments at the 2012 Asian Film Awards, and in 2017, the US’s Academy of Motion Picture Arts and Sciences (AMPAS) invited Hui to become a member.
In her younger days, Norwegian feminist Aasta Hansteen earned her living as a portrait painter in Kristiania (modern-day Oslo)’ she was in demand as the city’s only portrait artist. Her most famous painting is possibly her portrait of her father, which is on permanent exhibit at the National Gallery of Norway. Associated with the Düsseldorf school of painting, she exhibited her work at the 1855 World’s Fair in Paris. Well known in the Oslo’s intellectual circles, Hansteen inspired characters in dramas by Ibsen and Gunnar Heiberg. Her writings advocating for the rights of women, her opposition to religious authority, and her provocative behavior—she often appeared fpr public speaking engagements wearing men’s boots and brandishing a whip in a symbolic performance of the oppressor—led to such harassment that in 1880 she emigrated to the United States. Together with her foster daughter Theodora Nielsen, she sailed from Christiania on April 9, 1880. In Boston, she met leading feminists of the day, including Lucy Stone, Julia Ward Howe and Mary Livermore, and was deeply affected by the relative freedom of women in America. By 1889, when she returned to Norway, the feminist movement there was firmly established, and Hansteen was embraced as one of its pioneers. In 1889, she returned to Norway, joined the Norwegian Association for Women’s Rights (Norsk Kvinnesaksforening) and became an active contributor in the press on women’s rights
She also studied linguistics, with an interest in Norwegian dialects. In 1862 she published anonymously a small book written in Nynorsk, becoming the first woman to publish in the language.
In 1884 needleworker Thérèse de Dillmont left the embroidery school that she had started with her sister Franziska and moved to France, where she wrote her Encyclopedia of Needlework (1886) The book, which has since been translated into 17 languages, pulled together thousands of textile designs from many countries including Egypt, Bulgaria, Turkey and China. She later owned several shops in European capitals and was considered “one of the most important pioneers in the international and multicultural enterprise of hobby needlework in the late nineteenth century”.
Teréz Karacs was a writer, educator, memoirist and women’s rights activist. She was a leader of Hungary’s early feminist movement, as well as the general social reform movement, and a famous literary writer of contemporary Hungary. A pioneer of women’s education, she founded the Zrínyi Ilona Grammar School in the northeastern Hungary.