Emmy Bridgwater

“Her paintings show an ability to enter a personal dream world and transform the visions she experienced there into bold, unselfconscious, emotionally charged landscapes which more often than not strike into the very depths of one’s mind. Using a limited palette and painting thickly, she was able to bring together seemingly unrelated objects which she used to fill desolate landscapes, giving the paintings a narrative quality of her own making”. Along with the other female Surrealists, she gave the following generation of female artists the gift of role models and in turn, access to the notion that women are active art producers, not simply models tasked to provide inspiration for their male counter-parts.

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Helen Levitt

In both her photographs as well as her films, Levitt created objects of fascination drawn from the seemingly mundane reality of everyday life. Transforming scenes and subjects into performances that flirted with the surreal, the intimate moments captured in her work spoke to the wonders of the human condition.

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Marie Laurencin

Laurencin’s influence can be seen across the work of a number of artists who have employed visual languages of femininity in order to explore the place of women and gender expectations in modern life. Louise Bourgeois, Laurencin’s most celebrated student, similarly used clothing and other symbols of womanhood in order to explore female relationships, using psychoanalytic ideas to consider familial relationships, the human body and emotional states.

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Faith Ringgold

Ringgold’s work as an artist, an activist, and an educator has influenced both the art world and communities beyond the art world. Her founding or co-founding of many arts organizations focused on issues faced by women of color has created many opportunities for those artists.

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Natalia Goncharova

Goncharova’s Rayonist and Futurist work influenced many of her Russian contemporaries, including Kazimir Malevich and Vladimir Tatlin. In turn, two major new art movements were coined in Russia, Suprematism and Constructivism. Figurative scenes that had been fragmented into shards by Goncharova and Larinov became more and more abstract with only geometrical spaces recognizable as particular forms in the work of Malevich. This lead to a wave of abstract work being produced in Russia and Europe more widely.
In the artist’s later years, while her work as a painter received little attention, she was well known for her stage and costume designs, which were influenced by Diaghilev’s Ballets Russes, the most innovative of ballet companies which had a long-lasting impact on dance, theatre, and opera productions. In the 21st century her work has again risen to the forefront, and she is today considered a leading Russian painter.

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Aghabaji Rzayeva

Azerbaijani composer Aghabaji Ismayil gizi Rzayeva received many honors, including the Honored Art Worker of the Azerbaijan SSR (1960), Order of the Red Banner of Labour and the Order of the Badge of Honour (1972).

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Bano Qudsia

Pakistani novelist, playwright and spiritualist Bano Qudsia wrote novels, dramas plays and short stories in Urdu and wrote for television and stage inUrdu and Punjabi languages. She is best recognized for her novel Raja Gidh and her critically acclaimed play Aadhi Baat.

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Claribel Alegría

Claribel Alegría was a poet, essayist, novelist, and journalist who was a major literary voice in 20th century Central America. She won the 2006 Neustadt International Prize for Literature, among other awards.

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Erinna

Erinna was an ancient Greek poet, who was in her time considered one of the great women poets, second only to Sappho.

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Hồ Xuân Hương

Hồ Xuân Hương was a Vietnamese poet born at the end of the Lê dynasty (1428 to 1789). She wrote poetry using chữ nôm (Southern Script), which adapts Chinese characters to write demotic Vietnamese. She is considered one of Vietnam’s greatest classical poets.

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