Margaret Ogg

Margaret Ogg was a journalist and a leader in the suffrage campaign in Queensland, where she also aligned herself with temperance reform.

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Eva Sommestad Holten

Holten’s work as librettist is highly indebted to her deep insight in performance practice, spanning set design, costumes, dramaturgy and often light design for drama, musical and opera – more than 50 productions.

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Eileen May Duggan

Eileen Duggan was the first New Zealand poet to gain an international reputation; she was admitted to the Gallery of Living Catholic Authors in 1939, appointed an OBE in 1937, and made an honorary fellow of the Royal Society of Literature in 1943.

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Jeanine Tesori

Best known for her musical theater works her award-winning catalog includes Fun Home (Tony Award, Pulitzer finalist); Caroline, or Change (Olivier Award); Violet; Shrek; Thoroughly Modern Millie; Twelfth Night; A Free Man of Color; and by The Public at Central Park: Mother Courage.

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Sophie Calle

One of France’s leading Conceptual artists, Calle’s life and work redefines the role of the artist or author. Her influence can be seen in the work of later “first-person” artists, whose lives and art are also intertwined.

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Sylvia Constance Ashton-Warner

Ashton-Warner’s fiction was autobiographical and her autobiographies often fictional. Her educational theory was expressed in the form of novels (Spinster, Bell call) or as autobiography (Teacher, Spearpoint: ‘teacher’ in America).

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Niniwa-i-te-rangi

From the late 1890s Niniwa-i-te-rangi carved out a unique position for herself. She was considered a leader of Māori affairs and was the only woman whose views were sought when the Native Affairs Committee inquired into the Native Lands Settlement and Administration Bill of 1898. She regularly spoke on the marae in a district in which this was not a common practice. She became known around the country, beginning in the days when Tamahau sent her out as Pāpāwai’s ambassador to solicit attendance at the Māori parliaments. Her knowledge of whakapapa and tradition was extensive and contributed to the work of the Tāne-nui-a-rangi committee.

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Stella May Henderson

It was ‘while working at Jurisprudence and Constitutional History’, she said, ‘that the idea first occurred to me of taking a law degree.…I did not know then that the profession was not open to women.’ In the 1890s Stella Henderson began to study law.

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