As the first internationally famous Iranian woman artist, Monir opened the way for others to follow, although it is difficult to gauge her precise influence on any individual artist. She was the first Iranian woman to have a museum in Tehran dedicated exclusively to her work, and the first Iranian artist of any kind to have a solo exhibition at the Guggenheim Museum (in 2015).
Taeuber-Arp is not as well-known as other artists in her circle, despite her deep involvement with the burgeoning European avant-garde and the presence of her works in museum collections across the world. However, this reputation is changing, as evidenced by the 1981 retrospective at the Museum of Modern Art in New York that subsequently traveled to Chicago, Houston, and Montreal. Her work is now generally accepted as part of the story of modernism and Dada, and has drawn increasing attention from scholars and academics. Her work was influential to the growth of Feminist Art of the 1960’s, who viewed her as a trailblazer.
Dorothea Lange’s greatest achievements lie in the photographs she took during the Depression. They made an enormous impact on how millions of ordinary Americans understood the plight of the poor in their country, and they have inspired generations of campaigning photographers ever since.
Hartigan is admired for having, as one critic noted, “resolved the problem that doomed many artists of the New York School: where to go from art in the 1950s.” Since she was able to reconcile abstraction with her usage of realism and iconography, she influenced many future artists. She made the Maryland Institute College of Art a nationally prominent program and mentored hundreds of students during her tenure there.
As with other Impressionist artist who produced extensive drawings that stood on their own as finished works rather than as studies, Gonzalès’s pastels may well be her most successful works.
Her obituary in The Guardian described her as “probably the most significant woman artist in the history of art to this day.”
Although she has been forgotten in some corners, Morisot was an important figure in the founding of Impressionism as a movement; she participated in their first exhibition and was a key artistic and social figure within their circle. Morisot was also a strong encouraging influence on other female Impressionist painters living in Paris at the time, such as Mary Cassatt and Eva Gonzalès.
Salomon is neither a self-taught nor an outsider artist, for she received an artistic education and remains in the mainstream of art. Neither is she just a Holocaust artist. While her work testifies the experience of Nazi control and wartime, it also displays distinct artistic skills and a capacity for creative expression.
Georgia O’Keeffe spent 70 years making art and contributing to the development of American modernism. She was a prominent member of the creative Stieglitz Circle, influencing early American modernists. She is notable for her role as a pioneering female artist, and although she disavowed their interpretation of her work, she was a strong influence on the artists of the Feminist art movement, including Judy Chicago and Miriam Shapiro, who saw feminine imagery in O’Keeffe’s flower paintings. A prolific artist, she produced more than 2000 works over the course of her career. The Georgia O’Keeffe Museum in Santa Fe is the first museum in the United States dedicated to a female artist, and its research center sponsors significant fellowships for scholars of modern American art.
In both her photographs as well as her films, Levitt created objects of fascination drawn from the seemingly mundane reality of everyday life. Transforming scenes and subjects into performances that flirted with the surreal, the intimate moments captured in her work spoke to the wonders of the human condition.