Bridget Riley
Riley became an icon, not just of Op art, but of contemporary British painting in the 1960s, and she was the first woman to win the painting prize at the Venice Biennale in 1968.
Riley became an icon, not just of Op art, but of contemporary British painting in the 1960s, and she was the first woman to win the painting prize at the Venice Biennale in 1968.
In pursuit of realism, Freilicher, by remaining true to herself, inspired other painters of her era such as Grace Hartigan, Fairfield Porter, Milton Avery, and Hedda Sterne in their engagements with representation. She was also profoundly important to the poets with whom she surrounded herself.
Though it does her aesthetic reach a considerable disservice, Flack is best known for her contribution to the Photorealist movement of the 1970s.
Matter’s life’s work incorporates elements of Post-Impressionism, Fauvism, Expressionism, Cubism, Hofmann’s principles of spatial composition with pure color, automatist compositions of the early New York School, and the innovations of her Abstract Expressionists peers.
Though not recognized as widely as she should be, Nell Blaine’s career stands as a microcosm of post-World War II stylistic tendencies – from gestural Abstract Expressionism to the geometries of pure abstraction and eventually to a lyrical realism that included still lifes, landscapes, and interior views.
Ukeles has played an important role in the development of the practice of artist as activist, using artistic ideas and processes to pursue the feminist aim of empowering marginalised people and altering societal attitudes, particularly those considering what is important and proper work under capitalism.
Marianne Von Werefkin is considered one of the most significant artists of the Expressionist movement, and is also acknowledged to have played a crucial role in breaking down boundaries to women’s involvement with modern art.
Though her art was strongly and explicitly feminist, Wilke’s work was often misunderstood by feminist and other critics who saw it as narcissistic, and reaffirming of women’s position as an object of desire.
Gina Pane’s performances, which included aspects of physical suffering, were directly inspiring to Feminist and Performance artists such as Marina Abramovic, Catherine Opie, Valie Export, and Giuseppe Penone.
Nancy Adams was a botanist, botanical artist and museum curator whose significant contributions to botany included the illustrations for more than 40 publications on New Zealand’s native plants, alpine areas, and common trees, shrubs and flowers, and her 1994 work Seaweeds of New Zealand: an illustrated guide.