Anne Jolliffe, Australia’s first woman animator, cannot remember a time when she wasn’t interested in her craft. Born near Launceston, Tasmania, in 1933, she was given scratch pads and pencils by her father when she was four years old and began drawing pictures in sequence.
Emily Kame Kngwarreye was a leading Indigenous Australian artist.
Cecilia May Gibbs was a leading painter, illustrator, cartoonist and author, usually known by her second name, May.
The influence of Wearing’s 1992 Signs that Say can be seen across recent contemporary popular culture and media, particularly social media, wherein a photographic portrait of a stranger holding a handwritten sign in front of them is now a recognized format for truth-telling or confession.
The destruction of spaces and objects central to her method, as well as her poetic, delicate installations, have been hugely influential for process-driven sculptural artists like Simon Starling; artists working with found objects, like Sarah Lucas; and artists refiguring architectural spaces, like Rachel Whiteread.
Most famously working through themes of love, gender, domesticity, and sexuality, Goldin used her personal experiences to visualise the political nature of these subjects, especially when subjugated by social taboos and expectations.
From Opie’s subcultural roots working out on the margins of society, the photographer is now a well established artist and personality.
Yuskavage is part of a generation of conceptual, figurative painters that emerged in the 1990s. She is often compared with other so called “bad girl” painters who explore transgressive territory related to the human body including Jenny Saville, Cecily Brown, and Marlene Dumas.
Lucas seems to have gone from strength-to-strength following her acclaimed solo exhibition at the Whitechapel Gallery in 2013 and her triumphant pavilion showing at the 2015 Venice Biennale.
Peyton has been credited with the revival of figurative painting in the 1990s.