Gillian Wearing

The influence of Wearing’s 1992 Signs that Say can be seen across recent contemporary popular culture and media, particularly social media, wherein a photographic portrait of a stranger holding a handwritten sign in front of them is now a recognized format for truth-telling or confession.

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Cornelia Parker

The destruction of spaces and objects central to her method, as well as her poetic, delicate installations, have been hugely influential for process-driven sculptural artists like Simon Starling; artists working with found objects, like Sarah Lucas; and artists refiguring architectural spaces, like Rachel Whiteread.

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Nan Goldin

Most famously working through themes of love, gender, domesticity, and sexuality, Goldin used her personal experiences to visualise the political nature of these subjects, especially when subjugated by social taboos and expectations.

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Catherine Opie

From Opie’s subcultural roots working out on the margins of society, the photographer is now a well established artist and personality.

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Lisa Yuskavage

Yuskavage is part of a generation of conceptual, figurative painters that emerged in the 1990s. She is often compared with other so called “bad girl” painters who explore transgressive territory related to the human body including Jenny Saville, Cecily Brown, and Marlene Dumas.

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Sarah Lucas

Lucas seems to have gone from strength-to-strength following her acclaimed solo exhibition at the Whitechapel Gallery in 2013 and her triumphant pavilion showing at the 2015 Venice Biennale.

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Cecily Brown

Cecily Brown’s emergence as a female artist capable of challenging the gendered status quo not only of the art world but of what many regard as the hyper-masculinity of the Abstract Expressionist movement is perhaps her most lasting contribution.

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