A wealthy American patron of the twentieth-century arts movement, Mabel Evan Dodge Sterne Luhan (Mabel Dodge) hosted modernist salons in Arcetri, Italy (outside of Florence), New York City, and Taos, New Mexico, presiding over her guests as an intellectual provocateur, a financial supporter, organizer, and creative contributor for some of the most radical figures and ideas of the early twentieth century.
Artist whose work is represented in private collections and galleries in New Zealand and in galleries in England, Australia and France.
Acclaimed as ‘one of the best portrait painters New Zealand has produced.’
Curator and director of Dunedin Public Art Gallery Society
As an artist she was extremely self-critical, maintaining the highest standards of professionalism, but she was generous in her help to young artists. Although well regarded as a landscape painter, her major contribution to New Zealand art lies in the way she revitalised formal portraiture in the 1920s and 1930s.
New Zealand jeweller
The limitless decorative possibilities in Maud Sherwood’s work – vivid colours dashed onto the paper in broad sweeps, the assured linear qualities either loosely or tightly structured – reflected her own ‘vital and attractive’ personality.
New Zealand potter
New Zealand potter
Mary Elizabeth Richardson was one of several successful artists to emerge during the 1890s, a period of creativity in New Zealand art. As M. E. R. Tripe she became a portrait painter of national importance, as well as a teacher and formidable influence on Wellington art for over 30 years.