Mary Holiday Black

A member of the Bitter Water Clan, she was raised in a community of traditional Navajo artists and religious practitioners. In the 1970s, encouraged by a burgeoning Native American art market and local traders, Black focused her creative work on basketweaving and introduced several innovations that proved critical to the tradition’s survival.

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Loretta Pettway

The community of Boykin, Alabama, known to many as Gee’s Bend, is home to some of the most highly regarded quiltmakers in America, including Mary Lee Bendolph, Lucy Mingo, and Loretta Pettway, three of the chief quilters from the oldest generation of quilters who represent this profound cultural legacy.

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Dr Johnnetta Betsch Cole

A scholar, anthropologist, and academic pace-setter, Johnnetta Betsch Cole’s pioneering work about the on-going contributions of Afro-Latin, Caribbean, and African communities have advanced American understanding of Black culture and the necessity and power of racial inclusion in the US.

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Mary Lee Bendolph

The community of Boykin, Alabama, known to many as Gee’s Bend, is home to some of the most highly regarded quiltmakers in America, including Mary Lee Bendolph, Lucy Mingo, and Loretta Pettway, three of the chief quilters from the oldest generation of quilters who represent this profound cultural legacy.

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Lucy Mingo

The community of Boykin, Alabama, known to many as Gee’s Bend, is home to some of the most highly regarded quiltmakers in America, including Mary Lee Bendolph, Lucy Mingo, and Loretta Pettway, three of the chief quilters from the oldest generation of quilters who represent this profound cultural legacy.

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Margaret Tafoya

As a child, she learned the art of making pottery from her mother, who was herself an heir to the pottery tradition that had been passed on from one generation to the next for centuries by the speakers of the Tewa language in the Rio Grande Valley of New Mexico.

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