Martha King
Martha King was New Zealand’s first resident botanical artist.
Category Archives: Visual Art > Painting
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Grace Ellen Butler
Butler was well known for her many paintings of the landscape around Ōtira
Edith Stanway Halcombe
Edith Halcombe was versatile and capable in the frontier environment, and her promotion of Jersey cattle contributed to the success of New Zealand’s dairy industry. Professional tuition gave her the ability to make a competent record of the changing landscapes in which she lived. Her paintings and drawings are held in public collections in New Zealand and Australia.
Margaret Olrog Stoddart
New Zealand’s foremost flower painter of her time, Margaret Olrog Stoddart travelled and exhibited her work internationally.
Mabel Hill
Mabel Hill’s love of early impressionism coloured her opinion of the movements that followed it. Spending her formative years in New Zealand, then marrying and raising a family instead of studying in Europe as some of her contemporaries were able to do, limited her development as an artist. Although she frequently exhibited with most of the art societies in New Zealand, few of her best works have found their way into public collections.
Grace Jane Joel
Joel exhibited regularly in France and Great Britain with conservative bodies such as the Royal Academy of Arts in London and the Société des artistes français in Paris.
Frances Mary Hodgkins
Frances Hodgkins was the outstanding artist of her generation, with a professional life that spanned 56 years and earned her a secure place among the English avant-garde of the 1930s and 1940s: the first New Zealand-born artist to achieve such stature.
Edith Marion Collier
Edith Collier exhibited at the Women’s International Art Club show in 1920, and in the same year joined Frances Hodgkins’s classes at St Ives. There she began producing the most comprehensively modern and experimental work of her career.
Joanna Margaret Paul
Prolific and multi-talented, Joanna Paul was one of the most gifted artists of her generation. Intensely responsive to the world around her, she depicted her surroundings, constantly reworking the conventions of drawing and watercolour painting. Paul also documented her environment in photographs and experimental short films, and published poetry, criticism and non-fiction.
Daisy Frances Christina Osborn
Although ‘Gods’ featured in the 1940 National Centennial Exhibition of New Zealand Art in Wellington, and other work is held in public and numerous private collections, her contribution to Canterbury art was not recognised until she was included in the 1993 exhibition, White Camellias.