In pursuit of realism, Freilicher, by remaining true to herself, inspired other painters of her era such as Grace Hartigan, Fairfield Porter, Milton Avery, and Hedda Sterne in their engagements with representation. She was also profoundly important to the poets with whom she surrounded herself.
Though it does her aesthetic reach a considerable disservice, Flack is best known for her contribution to the Photorealist movement of the 1970s.
Matter’s life’s work incorporates elements of Post-Impressionism, Fauvism, Expressionism, Cubism, Hofmann’s principles of spatial composition with pure color, automatist compositions of the early New York School, and the innovations of her Abstract Expressionists peers.
Rosalyn Drexler is an ex-professional wrestler whose experience as ‘Rosa the Mexican Spitfire’ influenced her subsequent work as a visual artist and writer, and who is now becoming recognized as a key feminist voice in the Pop Art movement.
Given how little of her work was actually exhibited during her lifetime and how much of it was lost, Oppenheim’s impact on future generations is all the more remarkable.
Kay Sage is among the few Americans associated with early Surrealism. She fully integrated the language of the movement within her own practice and achieved notable success during her lifetime.
Riley became an icon, not just of Op art, but of contemporary British painting in the 1960s, and she was the first woman to win the painting prize at the Venice Biennale in 1968.
Though not recognized as widely as she should be, Nell Blaine’s career stands as a microcosm of post-World War II stylistic tendencies – from gestural Abstract Expressionism to the geometries of pure abstraction and eventually to a lyrical realism that included still lifes, landscapes, and interior views.
Marianne Von Werefkin is considered one of the most significant artists of the Expressionist movement, and is also acknowledged to have played a crucial role in breaking down boundaries to women’s involvement with modern art.
Although Rozanova was an important figure in the Russian avant-garde – one of the “Amazons” of early-twentieth-century Russian art – her work has received little sustained critical attention except in Russian-language publications.