Frances Simpson Stevens

In her early 20s, Frances Simpson Stevens was the lone American at the center of the Futurist movement. Today, however, only one of her paintings has been preserved and few people know her name.

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Hermine David

Often diminished to a footnote in the life of her husband, the painter Jules Pascin, Hermine David was an artist in her own right who gained recognition in the early twentieth century. She worked in a variety of media and styles, including watercolor, pastel, charcoal, drypoint, and lithography.

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Elizabeth Kelly

As an artist she was extremely self-critical, maintaining the highest standards of professionalism, but she was generous in her help to young artists. Although well regarded as a landscape painter, her major contribution to New Zealand art lies in the way she revitalised formal portraiture in the 1920s and 1930s.

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Maud Sherwood

The limitless decorative possibilities in Maud Sherwood’s work – vivid colours dashed onto the paper in broad sweeps, the assured linear qualities either loosely or tightly structured – reflected her own ‘vital and attractive’ personality.

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Mollie Tripe

Mary Elizabeth Richardson was one of several successful artists to emerge during the 1890s, a period of creativity in New Zealand art. As M. E. R. Tripe she became a portrait painter of national importance, as well as a teacher and formidable influence on Wellington art for over 30 years.

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Eve Page

New Zealand painter with an extraordinary zest and independence of spirit, whose lifetime’s response to human character and very individual use of rich colour communicates her vivid reverence and joyful celebration of life.

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Mina Arndt

Artist whose work is represented in private collections and galleries in New Zealand and in galleries in England, Australia and France.

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