Gladys Kukana Grace

Gladys Kukana Grace learned the art of weaving lauhala (lau = leaf, hala = pandanus tree) from her maternal grandmother, Kukana, through a longstanding oral tradition.

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Grace Henderson Nez

Grace Henderson Nez lived her entire life in a hogan at the base of Ganado Mesa on the Navajo Reservation in Arizona. For more than seven decades, she raised and sheared sheep, carded and dyed the wool, and wove intricate and distinctive Navajo rugs.

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Gussie Wells

Like other quilters in the region, Wells and Williams tended to emphasize design, bright colors, and vivid contrasts in their quilts. They played endlessly with the form of the square and the straightforward strip, disguising and exploding these essential design elements in myriad ways.

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Herminia Albarrán Romero

Herminia Albarrán Romero learned the art of papel picado (Mexican paper cutting) as a child growing up in the small Mexican village of San Francisco de Asís, south of Mexico City.

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Hystercine Rankin

Because of the utilitarian nature of her quilting, Rankin never thought of herself as an artist. That began to change in 1981 when she was invited to be a resident artist at the junior high school in her hometown of Lorman, Mississippi.

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Adèle Clark

Adèle Clark was a founding member of the Equal Suffrage League of Virginia, the chair of the Virginia League of Women Voters (1921–1925, 1929–1944), a New Deal–era field worker, and an accomplished artist and arts advocate.

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Ailsa O’Connor

Ailsa O’Connor linked her art to society, both the themes she developed in her art and in the essays she wrote to explain the role of art in society.

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Yvonne Walker Keshick

A basket maker and porcupine quillworker, Yvonne Walker Keshick creates birchbark masterpieces realistically decorated with quills that depict natural images as well as cultural symbols of the Odawa tribe. Also a devoted teacher, she has developed resources and provided instruction to ensure this art form is passed down to others as it was to her.

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