Karen Ann Hoffman
Karen Ann Hoffman has been beading peace, beauty, and meaning through her Haudenosaunee Raised Beadwork since the 1990s.
Karen Ann Hoffman has been beading peace, beauty, and meaning through her Haudenosaunee Raised Beadwork since the 1990s.
Native American basketmaker
Chilkat blanket weaver
For decades, Josephine Lobato has created embroidered renditions of cultural memories, enactments, and folk histories.
Grace Henderson Nez lived her entire life in a hogan at the base of Ganado Mesa on the Navajo Reservation in Arizona. For more than seven decades, she raised and sheared sheep, carded and dyed the wool, and wove intricate and distinctive Navajo rugs.
Like other quilters in the region, Wells and Williams tended to emphasize design, bright colors, and vivid contrasts in their quilts. They played endlessly with the form of the square and the straightforward strip, disguising and exploding these essential design elements in myriad ways.
Because of the utilitarian nature of her quilting, Rankin never thought of herself as an artist. That began to change in 1981 when she was invited to be a resident artist at the junior high school in her hometown of Lorman, Mississippi.
Feryal Abbasi-Ghnaim is an embroiderer whose journey as an artist started in her birthplace of Safad.
Graves excelled at embroidering colchas with birds, animals, flowers, and other whimsical images. Her favorite subjects, however, were Catholic saints borrowed from religious paintings called retablos and three-dimensional sculptures called bultos.
In 1978, Fang Nhu and her husband were forced to leave Laos, their livelihood threatened by the Communist regime. In Providence, Fang Nhu became active in the immigrant Hmong community and was eager to teach her weaving skills to her daughter-in-law Ia-Moua Yang. For Fang Nhu, weaving was not just making cloth, but was representative of a social fabric.