Grethe Agatz
Grethe Agatz was a fervent jazz enthusiast and a pioneer in Danish children’s music and music teaching. Her work has inspired many of her successors.
Category Archives: Music
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Alison Bauld
Her compositions gain their dramatic structure by combining elements of theatre with musical forms which use voice as well as instruments. A series of songs for voice and piano reveal her strong interest in lieder, arguably the form of composition which she finds most satisfying.
Augusta Read Thomas
The music of Augusta Read Thomas (b. 1964 in New York) is nuanced, majestic, elegant, capricious, lyrical, and colorful – “it is boldly considered music that celebrates the sound of the instruments and reaffirms the vitality of orchestral music.” (Philadelphia Inquirer)
Elisabeth Lutyens
Lutyens was known and respected as a creative artist for whom compromise was impossible. She was also a provocative and inspiring teacher who gave herself unstintingly to her pupils. Her output was large and varied, and the importance of her contribution to the country’s musical life was recognised in 1969, when she was made a Commander of the British Empire.
Germaine Tailleferre
When Les Six was formed in 1919-20, she became its only female member. Her abilities at the harpsichord and affinity for the styles of music originally composed for the instrument stood her in excellent stead as the neo-classicism of Stravinsky began to grow in popularity, though her works retained an influence of Fauré and Ravel.
Florence Price
Her music combines a rich and romantic symphonic idiom with the melodic intimacy and emotional intensity of African-American spirituals. As Alex Ross wrote in The New Yorker, her music “deserves to be widely heard.”
Ana Matawhāura Hato
By singing Māori songs in front of tribal audiences and tourists she developed sophistication and confidence as a soprano. Although unable to read music, she was noted for her accurate pitch. When Ana was 16 she was invited to join the concert party of Guide Rangi (Rangitiaria Dennan). Her reputation grew and she became much sought after as a soloist.
Frances Alda
Fanny Jane Davis, who rose to international prominence under the stage name Frances Alda, was one of the first of a long line of New Zealand opera singers to achieve such fame.
Peggy Glanville-Hicks
The 1950s brought Glanville-Hicks to prominence as a composer of ‘exotic’ music and as a catalyst for the performance of new music.
Agnes Nebo von Ballmoos
Agnes Nebo von Ballmoos was a Liberian music professor, Liberian folk music scholar, conductor, composer, and lawyer. She helped preserve Liberian folk music by collecting and transcribing music from diverse cultural traditions around the country and composing original arrangements of traditional songs. She was a pioneer in the transcription of Liberian folk songs into written form and taught at the University of Liberia for nearly 30 years. Under her leadership, the university choir gave concerts at venues around the world, performing a varied repertoire that included classical pieces, spirituals, and traditional Liberian music.