Painist Jennie Macandrew accompanied singers and instrumentalists, notably the violinist Edith Whitelaw, and performed as a soloist with local orchestras. She was official accompanist to the competitions society in Gisborne for some years from 1913, and toured New Zealand for five months as accompanist to the tenor Philip Newbury. She was also a pianist at Auckland cinemas, and gave radio broadcasts.
In 1941, she won the Waitematā seat in a by-election, becoming the third woman to enter the New Zealand Parliament. Her particular triumph there was to introduce the Women Jurors Bill, which became law in 1942.
For more than two decades she gave pleasure to thousands of radio listeners with her eclectic and intelligently planned radio recitals, but her most important contribution to her adopted country was as the first woman to gain a measure of national repute as a composer. By writing successfully for symphony orchestra she effectively dispelled the myth that women could only produce small-scale works for drawing-room performance. Together with the younger Dorothea Franchi and Dorothy Freed, she led the way for many other women who have made their mark as composers in New Zealand since the mid 1960s.
Identity has always been at the center of composer/pianist Gabriela Lena Frank’s music.
One of the most widely performed composers of the new generation, Lera Auerbach continues the great tradition of pianist-composers of the 19th and 20th centuries. Auerbach’s compositions have been commissioned and performed by a wide array of artists, orchestras and ballet companies.
Best known for her musical theater works her award-winning catalog includes Fun Home (Tony Award, Pulitzer finalist); Caroline, or Change (Olivier Award); Violet; Shrek; Thoroughly Modern Millie; Twelfth Night; A Free Man of Color; and by The Public at Central Park: Mother Courage.
Jazz singer and pianist Shirley Horn was one of the leading jazz musicians of her generation. With her distinctive voice and the slow pace of her music, Horn had a long and storied career which touched both national and international audiences.
“The High Priestess of Soul,” Nina Simone was a singer, pianist, songwriter, and civil rights activist. Mostly known as a jazz singer, her music blended gospel, blues, folk, pop, and classical styles. No popular singer was more closely associated with the Civil Rights Movement than Simone.
One of the greatest jazz pianists, composers, and arrangers of all time, Mary Lou Williams was a swing and bebop icon. “The Lady Who Swings the Band” also devoted herself to aiding musicians in need and teaching younger generations about jazz’s rich African American heritage.
Toshiko Akiyoshi changed the face of jazz music over her sixty-year career. As one of few women and Asian musicians in the jazz world, Akiyoshi infused Japanese culture, sounds, and instruments into her music. As a pianist, bandleader, and composer-arranger, Akiyoshi cemented her place as one of the most important jazz musicians of the twentieth century.