Adelina Maria Patti
Renowned Italian vocalist
Category Archives: Music > Opera
Continue reading
Nellie Melba
Australian opera singer of international renown
Eva Sommestad Holten
Holten’s work as librettist is highly indebted to her deep insight in performance practice, spanning set design, costumes, dramaturgy and often light design for drama, musical and opera – more than 50 productions.
Jeanine Tesori
Best known for her musical theater works her award-winning catalog includes Fun Home (Tony Award, Pulitzer finalist); Caroline, or Change (Olivier Award); Violet; Shrek; Thoroughly Modern Millie; Twelfth Night; A Free Man of Color; and by The Public at Central Park: Mother Courage.
Frances Alda
Fanny Jane Davis, who rose to international prominence under the stage name Frances Alda, was one of the first of a long line of New Zealand opera singers to achieve such fame.
Marie Kraja
Marie Kraja was an Albanian opera singer, who is particularly known for her performances of Albanian folk songs.
Agni Baltsa
Agni Baltsa is a prominent mezzo-soprano opera singer.
Lucia Lucas
Lucia Lucas is a baritone opera singer who made history in March 2018, when it was announced that she would be the first female (transgender) baritone to perform a principal role in an American opera production. The premiere performance on May 3 2019 saw Lucas singing the title role in Mozart’s Don Giovanni with the Tulsa Opera in Oklahoma; it is the subject of the 2020 feature documentary The Sound of Identity.
Lucas is also the first transgender baritone to appear with the English National Opera in London on 5 October 2019, singing Public Opinion in Orpheus in the Underworld. She has performed all over the world, including in Dublin, London, Brussels, Berlin, Torino, Essen, Daegu and Korea. She has performed roles including Hagen in the world premiere of Surrogate/Götterdämmerung, Monterone in Rigoletto, Tchelio in Love of Three Oranges, Komtur in Don Giovanni, and the Ffour Villains in Les contes d‘Hoffmann all with Oper Wuppertal; Sharpless in Madama Butterfly with Lyric Opera of Dublin, and Escamillo in Carmen with Staatstheater Karlsruhe. As a five-year festival artist with Badisches Staatstheater Karlsruhe, Lucas also performed roles including Thoas in Iphigénie en Aulide, Ford in Falstaff, Marcello in La bohème, Varlaam in Boris Godunov, Kothner in Die Meistersinger von Nürnberg, Dr. Teller in Doctor Atomic, Sprecher in Die Zauberflöte, and Figaro in Le nozze di Figaro.
Abbie Mitchell
Abbie Mitchell was an African-American soprano opera singer who performed the role of Clara in the original production of George Gershwin’s Porgy and Bess in 1935, and was also the first to record “Summertime” from that musical. At age 14, she was cast by African-American composer Will Marion Cook and lyricist Paul Laurence Dunbar for a role in their one-act musical comedy Clorindy: The Origin of the Cakewalk (1898), which ran for the whole season at the Casino Roof Garden. The 14-year-old married the 29-year-old Cook in 1898 and bore him two children before her 20th birthday. Mitchell appeared in the lead role in Cook’s Jes Lak White Folks (1899) and performed in his production The Southerners (1904).
In London Mitchell appeared in the 1903 musical In Dahomey (with music by Cook). Mitchell received international acclaim for her performance, and was invited to appear with the company in a Royal Command Performance for King Edward VII and Queen Alexandra at Buckingham Palace.
She later performed with the “Black Patti’s Troubadours”, and in the 1908 operetta The Red Moon. In 1913, she appeared in the film Lime Kiln Field Day, but it was never completed or released. In 1919, Mitchell went to Europe with Cook’s Southern Syncopated Orchestra, as well as appearing in concert and in operas in New York.
Mitchell appeared in several Broadway plays including “In Abraham’s Bosom” (1926), “Coquette” (1927) with Helen Hayes, and “The Little Foxes” (1939) with Tallulah Bankhead. Mitchell was best known for her last musical role on the stage, performing in the role of “Clara” in the premiere of Porgy and Bess (1935). After this, she taught and coached many singers in New York and appeared in non-musical dramatic roles on the stage, and taught at the Tuskegee Institute in Alabama.
Lee De Forest made a short film of Mitchell singing, Songs of Yesteryear (1922), using his DeForest Phonofilm sound-on-film process; the film is preserved in the Library of Congress’s Maurice Zouary film collection.