Gabrielle Réjane
French actress, called “the very essence of the Parisienne.”
French actress, called “the very essence of the Parisienne.”
In 1926, three remarkable sisters made history by becoming the first Australian women to own and run a film production company. They were also among the first to produce a talkie in Australia.
In 1926, three remarkable sisters made history by becoming the first Australian women to own and run a film production company. They were also among the first to produce a talkie in Australia.
In 1926, three remarkable sisters made history by becoming the first Australian women to own and run a film production company. They were also among the first to produce a talkie in Australia.
In a tragically short life, Lottie Lyell made an extraordinary contribution to the early development of the Australian feature film industry, as well as establishing herself as one of Australia’s first film stars.
May Beatty was one of several New Zealand performers who rose to prominence with the famed Pollard Opera Company during the 1890s.
Prolific and multi-talented, Joanna Paul was one of the most gifted artists of her generation. Intensely responsive to the world around her, she depicted her surroundings, constantly reworking the conventions of drawing and watercolour painting. Paul also documented her environment in photographs and experimental short films, and published poetry, criticism and non-fiction.
Anne Jolliffe, Australia’s first woman animator, cannot remember a time when she wasn’t interested in her craft. Born near Launceston, Tasmania, in 1933, she was given scratch pads and pencils by her father when she was four years old and began drawing pictures in sequence.
Deveson’s first job was with as a journalist with a small newspaper, the Kensington News, in London. She came to Australia in the 1950s and worked at the ABC on various ‘women’s programs’. She was also a presenter at radio station 2GB where she was one of the first people in Australia to use talkback. From 1985 to 1988, she was Executive Director of the Australian Film Television and Radio School.
In a 1915 press interview Annette Kellerman described the principal motivation at the heart of her successful career as performer, movie star, athlete and role model for the emerging 20th century modern woman: ‘Swimming for women is more than physical, it can engender self-confidence, and in the art and science of swimming, a kind of equality, even superiority to that of men. My chief pride and pleasure has been the knowledge that my work has stimulated an interest in swimming as a woman’s sport’.