Helen Connon
Helen Connon played a pioneering role in the education of New Zealand women.
Category Archives: Education
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Christina Kirk Henderson
Her mother’s mission work led Christina to take an active role in the Presbyterian Women’s Missionary Union of New Zealand. She served as secretary (1917–20) and president (1930–32), but her main contribution was her editorship, from 1923 until 1946, of Harvest Field, the union’s magazine.
Nellie Euphemia Coad
Throughout her teaching career Nellie Coad was concerned about educational opportunities for women.
Kate Milligan Edger
Kate Milligan Edger was the first woman in New Zealand to gain a university degree
Frances Jane Ross
Frances Ross is remembered as a pioneer in women’s education and an outstanding teacher who combined knowledge and dignity with a sense of fun.
Rata Alice Lovell-Smith
Rata and Colin Lovell-Smith were leading artists of the Canterbury School, a regionalist movement which expressed a growing awareness of a local identity and harboured aspirations for a distinctive New Zealand art.
Daisy Frances Christina Osborn
Although ‘Gods’ featured in the 1940 National Centennial Exhibition of New Zealand Art in Wellington, and other work is held in public and numerous private collections, her contribution to Canterbury art was not recognised until she was included in the 1993 exhibition, White Camellias.
Ida Harriet Carey
Although it is for her Māori portraits that she is best known, critics have generally claimed that Ida Carey’s finest work was done in the 1920s and 1930s, and that much of her later work contains technical deficiencies, especially in her use of colour. This perhaps explains why she has been ignored in New Zealand art history literature. However, her significance both as an artist with great popular appeal and as a major contributor to the development of fine arts in Waikato cannot be denied.
Elizabeth Wallwork
As a working artist, Elizabeth Wallwork established a career in portraiture mainly for private clients. She was described as one of the foremost exponents of pastel portraiture in New Zealand. She also painted in oil: miniatures and portraits of women, children and, as her reputation grew, many prominent Christchurch people. She painted and exhibited landscapes, and in later life submitted impressionistic flower paintings to the New Zealand Academy of Fine Arts.
Doris More Lusk
In 1966 the first retrospective exhibition of Lusk’s work took place at the Dunedin Public Art Gallery, and was well received. Half of the paintings on display were owned by public institutions, the most prominent of which were the Auckland City Art Gallery and the Hocken Library. The same year Lusk was appointed tutor in drawing at the University of Canterbury. As a teacher she encouraged and supported a subsequent generation of New Zealand artists.