Laura Bassi
Laura Bassi was an Italian physicist and one of the earliest women to gain a position in an Italian university.
Laura Bassi was an Italian physicist and one of the earliest women to gain a position in an Italian university.
Dorothea Beale studied at Queen’s College, London where she became the first female mathematics tutor. She became Principal of Cheltenham Ladies’ College and a founder of St Hilda’s College, Oxford.
Grace Alele-Williams was the first Nigerian to be awarded a doctorate. She became a professor of mathematical education, then the first female Nigerian Vice-Chancellor of the University of Benin.
Immensely popular English novelist.
The distinguished writer and journalist Christine Cole Catley was one of New Zealand’s leading independent publishers of the late twentieth century. She was co-founder of the Parents Centre movement in the 1950s, and an influential teacher and shaper of broadcasting policy.
Among the Press staff ‘Miss E.’ was known for her professional thoroughness, enthusiasm, vitality, generosity and patience. She held firm convictions about the role women should play in society, and set a sterling example by being associated with nearly 250 social welfare and women’s organisations during her career.
Dr. Mamie Phipps Clark was a pathbreaking psychologist whose research helped desegregate schools in the United States. Over a three-decade career, Dr. Clark researched child development and racial prejudice in ways that not only benefitted generations of children but changed the field of psychology.
At the tender age of six, Ruby Bridges advanced the cause of civil rights in November 1960 when she became the first African American student to integrate an elementary school in the South.
Ashton-Warner’s fiction was autobiographical and her autobiographies often fictional. Her educational theory was expressed in the form of novels (Spinster, Bell call) or as autobiography (Teacher, Spearpoint: ‘teacher’ in America).
During her lifetime, and especially in the twenty years following her death, Kent’s work never quite worked its way into the mainstream. Being a female artist and a nun, she did not fit into the detached, jaded aesthetic narrative of Pop.