Peggy van Praagh
In 1962, she was invited to become the first artistic director of the Australian Ballet. She was to hold the position until retirement in 1974, returning for a year in 1978.
In 1962, she was invited to become the first artistic director of the Australian Ballet. She was to hold the position until retirement in 1974, returning for a year in 1978.
Deveson’s first job was with as a journalist with a small newspaper, the Kensington News, in London. She came to Australia in the 1950s and worked at the ABC on various ‘women’s programs’. She was also a presenter at radio station 2GB where she was one of the first people in Australia to use talkback. From 1985 to 1988, she was Executive Director of the Australian Film Television and Radio School.
Simmons’ use of dolls to explore prescribed gender roles and representations of femininity has opened up space in which other feminist artists can work, facilitating the legitimacy of styles of cultural critique that do not fit within masculine molds.
Her work stands for an important moment in modern art when the dominant Pop Art trend was challenged, and instead audiences were encouraged to think about natural history, the world around us, and our modern data-based understanding of it. Graves was ahead of her time in her understanding of the importance of democratic data, she has influenced many artists living in the current digital age, such as the map-inspired artist Julie Mehretu, and Frank Stella, Judy Pfaff, Jessica Stockholder, and Sarah Sze.
EXPORT was a pioneer of engagements with intermedia and this has been influential on subsequent generations of new media practitioners, particularly in relation to Feminism.
Ngāti Kahungunu and Ngāi Tahu; photographer, actor, director
Alka Sadat is an Afghan documentarian and feature film producer, director and camerawoman.
Sheema Kalbasi is an Iranian American poet, writer, filmmaker and activist for women’s rights, minorities’ rights, children’s rights, human rights and refugees’ rights. Her work discusses these topics as well as other women’s issues, war, refugees, Sharia Law and freedom of expression. In additon to her artistic work, Sheema taught refugee children and worked for the UNHCR and the Center for Refugees in Pakistan, and UNA Denmark. Her poems have been anthologized and translated into more than 20 languages.
Ann Hui On-wah, BBS MBE is a Hong Kong film director, producer, screenwriter and actress and one of the Hong Kong New Wave’s most critically acclaimed filmmakers. She is best known for her films about Hong Kong social issues in Hong Kong, with films ranging from literary adaptation, martial arts masterpieces and thrillers to topics of semi-autobiographical works, female issues, social phenomena, and political changes. She served as president of the Hong Kong Film Director’s Guild from 2004 to 2006.
Hui has won many awards for her films, including three Golden Horse Awards (GHA) for Best Director (1999, 2011, 2014); Best Film at the Asia Pacific Film Festival; and Best Director at the Hong Kong Film Awards six times (1983, 1996, 2009, 2012, 2015, 2018).
Only two films have ever earned a Grand Slam (winning best picture, best director, best screenplay, best actor, and best actress) at the Hong Kong Film Awards: Summer Snow and A Simple Life, both of which were directed by Ann Hui. She was honored for her lifetime accomplishments at the 2012 Asian Film Awards, and in 2017, the US’s Academy of Motion Picture Arts and Sciences (AMPAS) invited Hui to become a member.
Sun Weishi was the first female director of modern spoken drama (Huaju) in China. Sun was a rival of Mao’s wife, Jiang Qing, with an enmity between the two that lasted throughout Sun’s life until her ultimate death at Jiang’s hands.