Daisy Bannard Cogley
Irish theatre director and producer, actor and singer
Irish theatre director and producer, actor and singer
For most of the 1950s Kathleen O’Brien was the only woman directing films in New Zealand.
Catherine Duncan was an actor, playwright, film-maker and author who became the first woman credited as director in an Australian film since the McDonagh sisters in the 1930s.
In 1926, three remarkable sisters made history by becoming the first Australian women to own and run a film production company. They were also among the first to produce a talkie in Australia.
One of New Zealand’s leading teachers of ballet.
In 1962, she was invited to become the first artistic director of the Australian Ballet. She was to hold the position until retirement in 1974, returning for a year in 1978.
Deveson’s first job was with as a journalist with a small newspaper, the Kensington News, in London. She came to Australia in the 1950s and worked at the ABC on various ‘women’s programs’. She was also a presenter at radio station 2GB where she was one of the first people in Australia to use talkback. From 1985 to 1988, she was Executive Director of the Australian Film Television and Radio School.
Simmons’ use of dolls to explore prescribed gender roles and representations of femininity has opened up space in which other feminist artists can work, facilitating the legitimacy of styles of cultural critique that do not fit within masculine molds.
Her work stands for an important moment in modern art when the dominant Pop Art trend was challenged, and instead audiences were encouraged to think about natural history, the world around us, and our modern data-based understanding of it. Graves was ahead of her time in her understanding of the importance of democratic data, she has influenced many artists living in the current digital age, such as the map-inspired artist Julie Mehretu, and Frank Stella, Judy Pfaff, Jessica Stockholder, and Sarah Sze.
EXPORT was a pioneer of engagements with intermedia and this has been influential on subsequent generations of new media practitioners, particularly in relation to Feminism.