Bel-Shalti-Nanna
Babylonian high-priestess of the Moon God at Ur and founder of the world’s first museum.
Babylonian high-priestess of the Moon God at Ur and founder of the world’s first museum.
Curator and director of Dunedin Public Art Gallery Society
Olga Sansom’s contribution to natural science had been recognised by the Southland branch of the Royal Society of New Zealand in 1960 when it made her a life member. The Southland Museum and Art Gallery similarly honoured her in 1966. In 1973 her achievements gained international attention when she was included in the first edition of The world who’s who of women. Her services to New Zealand were acknowledged in 1979 when she received the Queen’s Service Medal.
Fanning’s roles at the National Library of Australia included Chief Librarian, Australian Reference (1966-1972); Principal Librarian, Australian Reference (1972-1975) and Director, Australian National Humanities Library (1975-1980).
Amy Castle was the first entomologist and the first woman appointed in a professional role in a New Zealand museum. She was also one of the first women to be employed in a scientific position in the New Zealand public service.
Nancy Adams was a botanist, botanical artist and museum curator whose significant contributions to botany included the illustrations for more than 40 publications on New Zealand’s native plants, alpine areas, and common trees, shrubs and flowers, and her 1994 work Seaweeds of New Zealand: an illustrated guide.
Hilla Rebay left a profound legacy on the art world. Playing a key role in shaping modern art of the twentieth century, she was among the first artists to use the term “non-objective” to describe the abstract art that she and her colleagues were creating. She made it her life’s mission to further the importance of non-objective art and to educate others about this movement. Her greatest achievement in this effort was her success in convincing Solomon R. Guggenheim to collect non-objective art. In doing so, she helped support the career of many artists and set in motion the building of a collection that would become the foundation of one of the world’s greatest modern art institutions.