Appearing in over sixty movies throughout her career, Anna May Wong was the first Chinese American film star in Hollywood. In addition to her roles in silent films, television, and stage, Wong landed a role in one of the first movies made in Technicolor. Internationally recognized, her legacy continues to influence entertainers around the world.
On February 23, 1914, Lilian St. Cyr, performing under the name “Princess Red Wing,” became the first Native American actress to appear in a silent film. During her 15-year acting career, she performed in more than 70 films—both shorts and Hollywood features. She was also a fiercely independent woman who spent most of her life promoting Native American culture through art, lectures, and advocacy.
As one of the first motion picture stars, Florence Lawrence was known as “The Biograph Girl.” Throughout her career she appeared in almost 300 films and became one of the first women to lead a US film studio. She was also an inventor and was credited as the inventor of the turn signal and the brake signal for automobiles.
Jazz pianist and singer Hazel Scott was not only the first African-American woman to host her own television show, but she also bravely stood up to the House Un-American Activities Committee and the Hollywood studio machine. The gifted and popular performer dazzled audiences in the U.S. and abroad with her jazzy renditions of classical works.
Badia Masabni was an entertainer and businesswoman best known for establishing a series of influential clubs in Cairo in the 1920s, 1930s and 1940s. She is considered to be the mother of modern belly dance and is credited with launching the careers of many Egyptian artists, particularly belly dancers Samia Gamal and Taheyya Kariokka.
Model, author, actor and activist Waris Dirie worked for the United Nations from 1997 to 2003 as a Special Ambassador for the Elimination of Female Genital Mutilation. She had written several books on the subject, and in 2002 launched her own non-profit, the Desert Flower Foundation, which raises money to increase awareness about FGM and to help those affected.
Hanna Maron was a German-born Israeli actor, comedian and theater personality who held the world record for the longest career in theater.
Dorothy Green was an American silent film actress who had film roles in Forest Rivals (1919), The Lesson (1917), The Wonderful Adventure (1915), A Parisian Romance, Her Mother’s Secret, The American Way Souls Aflame, The Devils at His Elbow, The Good Bad Wife, the serial Patria, The Praise Agent with Arthur Ashley, and The Grouch. She also performed on stage with the New Shakespeare Company. She was best known for playing “vamp” roles, in cluding in Patria, The Devils at His Elbow, and A Parisian Romance. Green retired from acting in 1930.
Abbie Mitchell was an African-American soprano opera singer who performed the role of Clara in the original production of George Gershwin’s Porgy and Bess in 1935, and was also the first to record “Summertime” from that musical. At age 14, she was cast by African-American composer Will Marion Cook and lyricist Paul Laurence Dunbar for a role in their one-act musical comedy Clorindy: The Origin of the Cakewalk (1898), which ran for the whole season at the Casino Roof Garden. The 14-year-old married the 29-year-old Cook in 1898 and bore him two children before her 20th birthday. Mitchell appeared in the lead role in Cook’s Jes Lak White Folks (1899) and performed in his production The Southerners (1904).
In London Mitchell appeared in the 1903 musical In Dahomey (with music by Cook). Mitchell received international acclaim for her performance, and was invited to appear with the company in a Royal Command Performance for King Edward VII and Queen Alexandra at Buckingham Palace.
She later performed with the “Black Patti’s Troubadours”, and in the 1908 operetta The Red Moon. In 1913, she appeared in the film Lime Kiln Field Day, but it was never completed or released. In 1919, Mitchell went to Europe with Cook’s Southern Syncopated Orchestra, as well as appearing in concert and in operas in New York.
Mitchell appeared in several Broadway plays including “In Abraham’s Bosom” (1926), “Coquette” (1927) with Helen Hayes, and “The Little Foxes” (1939) with Tallulah Bankhead. Mitchell was best known for her last musical role on the stage, performing in the role of “Clara” in the premiere of Porgy and Bess (1935). After this, she taught and coached many singers in New York and appeared in non-musical dramatic roles on the stage, and taught at the Tuskegee Institute in Alabama.
Lee De Forest made a short film of Mitchell singing, Songs of Yesteryear (1922), using his DeForest Phonofilm sound-on-film process; the film is preserved in the Library of Congress’s Maurice Zouary film collection.
Ann Hui On-wah, BBS MBE is a Hong Kong film director, producer, screenwriter and actress and one of the Hong Kong New Wave’s most critically acclaimed filmmakers. She is best known for her films about Hong Kong social issues in Hong Kong, with films ranging from literary adaptation, martial arts masterpieces and thrillers to topics of semi-autobiographical works, female issues, social phenomena, and political changes. She served as president of the Hong Kong Film Director’s Guild from 2004 to 2006.
Hui has won many awards for her films, including three Golden Horse Awards (GHA) for Best Director (1999, 2011, 2014); Best Film at the Asia Pacific Film Festival; and Best Director at the Hong Kong Film Awards six times (1983, 1996, 2009, 2012, 2015, 2018).
Only two films have ever earned a Grand Slam (winning best picture, best director, best screenplay, best actor, and best actress) at the Hong Kong Film Awards: Summer Snow and A Simple Life, both of which were directed by Ann Hui. She was honored for her lifetime accomplishments at the 2012 Asian Film Awards, and in 2017, the US’s Academy of Motion Picture Arts and Sciences (AMPAS) invited Hui to become a member.