Even more than the individual artists that may have been influenced by their aesthetic or political intentions, the most enduring legacy of Pussy Riot has been the new global interest in Russian activist art, as well as in the political situation within the county.
Ngāi Tahu; founding mother, community worker
It was ‘while working at Jurisprudence and Constitutional History’, she said, ‘that the idea first occurred to me of taking a law degree.…I did not know then that the profession was not open to women.’ In the 1890s Stella Henderson began to study law.
In 1925 Pérrine wrote New Zealand birds and how to identify them. Although she intended her book for the untrained bird-lover, it influenced scientists as well as lay people and ran to five editions.
Kate Wyllie is remembered as a woman who sought to defend her rights and those of her people.
During the First World War her strong personality and status as the chairman’s wife enabled her to establish a new kind of women’s leadership. Women’s voluntary work was in demand, and largely by use of the recently installed telephone system she organised Red Cross nursing at Hanmer Springs and supervised emergency measures in the influenza epidemic of November 1918. She was appointed an MBE in 1919. The Red Cross remained a lifelong interest: Thyra headed the Culverden sub-centre for over 50 years and was involved in the local and national organisation during the Second World War. She was made a councillor of honour of the New Zealand Red Cross Society in 1957.
The Nouveau Realisme movement, and Niki de Saint Phalle’s work in particular, had a significant effect on the development of conceptual art. Her works often combined performance and plastic art in new ways, blending and dismantling hierarchies between painting, sculpture, and performance in a way that would influence conceptual artists.
New Zealand politician Iriaka Rātana was to serve in the House for 20 years. She was an unusual politician in her early years, unsophisticated yet eloquent, gentle and invariably polite.
Long overshadowed by her extraordinary life and her relationship with Edward Weston, she was viewed as his muse, rather than as a gifted photographer in her right. Despite a remarkably short career in photography – just seven years – she created a body of iconic images that confirmed her place in history.
During her lifetime, and especially in the twenty years following her death, Kent’s work never quite worked its way into the mainstream. Being a female artist and a nun, she did not fit into the detached, jaded aesthetic narrative of Pop.